A Quote by Marcus Sakey

I write crime novels and thrillers - I'm a big fan of cops. You can never forget that they run towards what everyone else runs away from. — © Marcus Sakey
I write crime novels and thrillers - I'm a big fan of cops. You can never forget that they run towards what everyone else runs away from.
My preferred genre of reading is crime thrillers - books by Harlan Coben, Jo Nesbo, David Baldacci, James Patterson, Ashwin Sanghi and a few others - and I write crime thrillers.
I write what I want to write. Period. I don't write novels-for-hire using media tie-in characters, I don't write suspense novels or thrillers. I write horror. And if no one wants to buy my books, I'll just keep writing them until they do sell--and get a job at Taco Bell in the meantime.
The industry is in an alarming condition. And we only have ourselves to blame. If one thriller runs, we all run to make thrillers. What about the dozen thrillers that flopped before that? More than the herd mentality it is the ostrich mentality.
I read a lot of thrillers, especially American crime novels.
The secret to writing is just to write. Write every day. Never stop writing. Write on every surface you see; write on people on the street. When the cops come to arrest you, write on the cops. Write on the police car. Write on the judge. I'm in jail forever now, and the prison cell walls are completely covered with my writing, and I keep writing on the writing I wrote. That's my method.
How to unravel the knot of reality? Slowly and patiently. You cannot run away from it. You cannot run towards it. Yet truth runs in your footsteps. It is the face in the mirror, the light of the sun, the winter rainstorms, the heat of summer in the city
I love it in Warrington. The kids are settled and I've spent GBP10k on a new garden. If I run away it's like I've got something to hide, which I haven't. I'm a big fan of Warrington, but not a big fan of Warrington people at the moment.
I write my novels personally, desperately and non-negligently. When I write my novels, I think about my novels only, and never do other works.
What Stieg Larsson was up to - it was the Swedish guilt over World War II. All of our neighbors had the most terrible experiences with the bad forces, but Sweden didn't. I think we use the thrillers in a different way. We never write a thriller like 'Who is the murderer?' The big question in most of our thrillers is... 'Why?'
That's why I love crime novels so much: When I write a crime novel, the conflict is built in.
Most beginning writers - and I was the same - are like chefs trying to cook great dishes that they've never tasted themselves. How can you make a great - or even an adequate - bouillabaisse if you've never had any? If you don't really understand why people read mysteries - or romances or literary novels or thrillers or whatever - then there's no way in the world you're going to write one that anyone wants to publish. This is the meaning of the well-known expression "Write what you know."
When I write a book I'm always questioning the project as a whole. I always feel I might have to just throw it away and forget about it, and I've done that with novels I've started and worked on for a long time. It's an option I need in order to write freely.
I grew up on genre - on Westerns, spy thrillers, sci-fi, fantasy novels, horror novels. Especially horror novels.
I had wanted to write English crime novels based on the American hard-boiled style, and for the first two novels about Brixton, the critics didn't actually know I was Irish.
I was a big fan of Chris Benoit growing up. I was always a fan of usually the, I guess you can say the smaller, more athletic guys, I was a big fan of Mark Henry, but was more gravitated towards the cruiserweight type of guys.
In the world of crime novels, the annual Audible Sounds of Crime awards are a pretty big deal, and I was thrilled to be shortlisted for my fifth novel in my bestselling Nic Costa series.
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