A Quote by Marcus Sakey

For me, the best moments in storytelling are the ones where I feel I'm discovering something. — © Marcus Sakey
For me, the best moments in storytelling are the ones where I feel I'm discovering something.
I spent my childhood watching every scary movie that Hollywood ever made. And I think that gave me the best education for storytelling. It also made me want to reproduce the scary moments that I felt, sitting in a theater at the age of 5.
The best moments in our lives are not the passive, receptive, relaxing times...the best moments usually occur when a person's body or mind is stretched to it's limited in voluntary effort to accomplish something difficult and worthwhile.
Imaginative writing, to me, is a way of discovering who we are and what we have to contend with; discovering what is out there and also what is not there. It enables me to think and explore and make something new with language while trying to make sense of our lives.
A part of my appreciation for the good which moments bring has come from awareness and recognition. But it has also come from a correspnding sadness which arises from their passing. When something that can never quite be reenacted comes to an end (and all moments are that way), I feel a pensiveness within. This pensiveness gives my life a quality that might be best described as bittersweet. And those moments take on double meaning and richness - because they are here now - and because they will not always be.
Good storytelling doesn't have to be in the form of the classics. It doesn't have to be revered by everybody. In fact, to me, the best storytelling is not universally loved by every single person. I think you can water down the ethicacy of the work, itself.
There is something in these moments of crisis that is really extraordinary about humanity and human beings' resilience and the way in which everyone naturally comes together. I think you see the best in people in those moments for better or for worse and you find your best self.
Of course there are moments for everyone, and certainly for me, where you do feel misunderstood. You feel like you can't really connect. You do feel like you're alone in something.
For me, the best journalism is usually the best storytelling, and the best stories are those of real people.
For me, challenging myself with this type of endeavor [ultramarathons] brings the best out in me because even at the darkest, deepest moments when I feel like I can't go on, when I feel like there's no chance I could break the record or much less finish the trail, somehow I find that strength inside of me.
My mom is my best friend and always offers me great perspective and reminds me to be compassionate to myself in moments when I feel low.
There has to be some mystery in life, because the joy of being a writer and the joy of being a musician is the joy of discovery. I don't want someone discovering for me what I should be discovering on my own. If a person is discovering for me, then they're living for me. It's my responsibility, indeed it's my privilege, to go out and discover the world for myself.
We have all experienced times when, instead of being buffeted by anonymous forces, we do feel in control of our actions, masters of our own fate. On the rare occasions that it happens, we feel a sense of exhilaration, a deep sense of enjoyment that is long cherished and that becomes a landmark in memory for what life should be like.. moments like these are not the passive, receptive, relaxing timesthe best moments usually occur when a person’s body or mind is stretched to its limits in a voluntary effort to accomplish something difficult and worthwhile.
There were moments in 'Malala,' I felt very moved by the storytelling, and 'pleased' would be the wrong word, but the music could be part of what moved me: that I was trying to contribute to something that was meaningful outside the realm of creative work but just more in terms of the world.
I feel like with a lot of Madlib's beats, they are made for storytelling. I feel like when I'm working on stuff with him, I can really get into the storytelling aspect mode of my flow.
I feel like there's something terrible and wonderful and amazing that's just beyond my grasp. I have dreams about it. I do dream, by the way. It hovers over me at odd moments. And then it's gone. I feel like I'm always on the brink of something that never arrives. I want to either have it or be free of it.
You live for those pressure moments. Through an international career, you have ups and downs, but you always feel you are going to be tested in moments like that. It has taken me years to feel comfortable and to feel like I have good composure in those situations.
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