A Quote by Marcus Samuelsson
It wasn't until I came to New York and started to see the African American community, but also the Ethiopian community here, and started to eat the food, started to understand the music. I said, you know, I got to go and understand the culture. So me and my sister went.
Related Quotes
I don't have memories of Ethiopia as a child. I didn't learn about Ethiopian culture until after I moved to New York and started meeting people from the Ethiopian community.
I hold conferences, and the result of that was that the secular community also started picking up my stuff, and pretty soon they wanted more. So I realized I could not only minister to the Christian community, but I could also minister to the corporate community. So my books started crossing over, and then I began to intentionally have them cross over.
As a New Yorker you can't help but be proud of the fact that so much music and culture started here. Punk rock, jazz, hip-hop and house music started here, George Gershwin debuted 'Rhapsody in Blue' here; the Velvet Underground are from New York.
The [Steve Harvey] foundation started originally about the educational needs of children. But, as I got into it more and more, one of my main objectives became mentoring programs for young African American men because that's our problem in our community - it's the African American men.
I am a big fan of the Gallagher brothers. At Liverpool, they came a few times; they are friends of Steven Gerrard. It was nice to meet them. When I was in Spain, I couldn't speak English, so I couldn't understand the lyrics. When I came to England, I started studying music and trying to understand what my favourite songs said.
I understand the power of music, I understand the therapeutic nature of music, the sense of community that music engenders, so I totally understand why it still goes on, choirs come together as a focal point for a community.
I started listening to rap music in 2012 or something, because that was when I started becoming friends with American people, and they showed me rappers to listen to. I actually started listening to Macklemore a lot. He's the first rapper I started listening to.
Black people didn't start coming to see me until 1982. I'd just started doing Delbert, and suddenly my world changed. I started doing black-centred characters that were about people I knew in the community.
The first time I had sushi, I hated it. And the second time was no different, and then, I just started loving it. I actually crave for sushi. It's one of the healthiest meals. My experiments with food began when I was working in New York as an architect, be it Korean or Ethiopian food or fusion food.
It wasn't until I started to do 'Poison River' that the readership started falling. 'Poison River' started out very slowly and simply, but then it got really dense and complicated. I don't know, I think the readers just got fed up or burned out. They started dropping off.
I got into one of the Scottish classical styles called piobaireachd, which is a very old music that started around the 1700s or something. I really got into this music. After that, I started to compose bagpipe music in my notations. Then I started building bagpipes by myself, and then I started to perform with the instrument myself in the 1980s.
Music came first and I started to jam with people I couldn't communicate in their language. Then, because I could make friends thanks to music, they started to talk to me. Then I started to learn English.
I'm from New York, and I started in New York, which I think is a huge advantage because I wasn't overwhelmed by the city. I understood the city. All of the distractions that could come with somebody that started comedy in New York didn't really happen for me.
You got to have dedicated people, a lot of dedicated folk. There's only so much one person can do. We really have to find people in our community that can give an hour a week. I was recruited because I started gangbanging at 12. I understand the structure; I understand the people inside.
I started making music... I guess I was 12, and I started playing 'Guitar Hero.' And you know, it got to a point where on expert, you can only exceed to a certain point. And so, you know, I was like, 'Let's play real guitar. Let's not waste more time.' So, I got my mom, I told her to buy me a guitar for Christmas, and I started making music then.
I started acting when I was in high school, started writing when I got to New York in 1975.
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