A Quote by Marcus Samuelsson
People might not protest for overtly political or social causes, but when they can't feed themselves and their family, they will take to the streets.
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I come from a working-class family. They're the people I know and the people I love, I guess. I do not write about them for political reasons, but because, as I see it, most interesting things - social, political, emotional - take place there. It's a bottomless well for an author like me.
When I was younger, I used to be very impatient with anyone who wasn't doing overtly political work. I've since come to feel that some writers have an appetite or a need for the political, for political discourse, for historical political subjects.
To feed the hungry, clothe the naked and shelter the harborless without also trying to change the social order so that people can feed, clothe and shelter themselves is just to apply palliatives. It is to show a lack of faith in one’s fellows, their responsibilitie s as children of God, heirs of heaven.
Perhaps, when we examine the causes of many social changes and political upheavals, we will find the marks of its presence and its principal ideals.
To me, a political song is also a personal song. Most political activism has been driven by empathy for other people and the desire for a world that's less divisive. Even if songs aren't overtly political, they can make a listener more empathetic.
The Arab Spring, nobody's in the streets demonstrating for radical Islam; they're in the streets with a window of democracy. They want our political reform, our social justice, and our economic opportunity.
But, Jefferson worried that the people - and the argument goes back to Thucydides and Aristotle - are easily misled. He also stressed, passionately and repeatedly, that it was essential for the people to understand the risks and benefits of government, to educate themselves, and to involve themselves in the political process. Without that, he said, the wolves will take over.
For many of these people the social is just a mirror of themselves. I'm not against the social, but I want something genuinely social, not something that has been fetishized as social so that a group of people can feel better about themselves.
No one can say how long the process of human extinction might take, but as it proceeds, the same global order will prevail that always prevails: rich nations will find ways to protect themselves and make themselves comfortable, while the poor nations and the poor people of the planet will suffer.
Every new baby is a blind desperate vote for survival: people who find themselves unable to register an effective political protest against extermination do so by a biological act.
No work-family balance will ever fully take hold if the social conditions that might make it possible - men who are willing to share parenting and housework, communities that value work in the home as highly as work on the job, and policymakers and elected officials who are prepared to demand family-friendly reforms - remain out of reach.
As algorithms push humans out of the job market, wealth and power might become concentrated in the hands of the tiny elite that owns the all-powerful algorithms, creating unprecedented social and political inequality. Alternatively, the algorithms might themselves become the owners.
In England, the population explosion can be linked very clearly with the enclosure of the commons that uprooted the peasants from their land. In India, it was the same thing: the population increased at the end of the 18th century when the British took over and Indian lands were colonized. Instead of the land feeding Indian people it started to feed the British empire. So we had destitution. Destitute people who don't have their own land to feed themselves can only feed themselves by having larger numbers, therefore they multiply. It's the rational response of a dispossessed people.
I'm a sort of political person, and I feel that there's a kind of ineradicably political dimension to theater, to all theater, whether it's overtly political or not.
The film has been titled 'Uncle,' and will revolve around a family, like 'Shutter.' The social and political milieu of Kerala is of much importance in the movie and it's about an unusual situation a family is made to face.
I've always been interested in socially political, or overtly political, comedy.
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