A Quote by Marcus Smart

I'm the youngest of four boys. My whole life I had to fight. I had to get down and do things in order to secure my spot in the household. So, coming onto the court, it's nothing different.
I grew up in Decatur, Georgia. We had three boys in the household; actually, it felt like four of us. My pops sort of raised my uncle, too. So, it was four boys and, later, a younger sister.
I had to fight Donald Cerrone, Anthony Pettis, Gil Melendez, Rafael Dos Anjos. I had to fight these guys in order to prove myself in order to get a title shot.
In Jack Dempsey's early days he had a fight contract, which paid him two dollars per fight for the fights he won. He received nothing for the fights he lost. Jack Dempsey said that in his early days he was knocked down a lot of times and he usually was tempted to stay down because he knew that no one would hit him again until he started to get up. But Jack was a hungry fighter and he knew that if he was going to eat, he must get up in order to get the two dollars. He tells of one occasion when he was knocked down 11 times in one fight, and 11 times he got up in order to win the $2.
All my life I had to fight. I had to fight my daddy. I had to fight my uncles. I had to fight my brothers. Girl, child ain't safe in a family of men, but I ain't never thought I had to fight in my own house. I loves Harpo. God knows I do. But I'll kill him dead before I let him beat me.
Coming from a single parent household, I witnessed firsthand the strength and courage of the single mother. I always had my father in my life but my household was run by my mother and my grandmother. As a result, I have always had the utmost respect for women and have chosen to strongly convey that in my music.
I am the youngest of four children - three boys and one girl. I don't think becoming an actor had anything to do with seeking attention, though. My relationship with my siblings when I was growing up was close and playful.
The whole time I was writing, I had to fight my normal inclination to be funny, to sort of patch humor in, in order to convey all of the disruptions of the disease to the family dynamic, the loss of individuality, the impact on professional life, and the sanity of the main character. Of course, that's not to say it never sneaks in; there's some black comedy in there, like when he shows up to court wearing a bicycle helmet and won't take it off.
From Day One, I've always had to work to find my way onto the court or onto the top position or whatever it may be.
For a long time I wasn't happy, but that had nothing to do with Beyonce. That had to do with me trying to get my life in order and make better decisions for myself. I'm seeing all these wonderful things happen for her, and I am happy for her. But I want a path. I want things to pop off for me, too.
I'm the youngest of four. I have two older sisters and an older brother and was raised by a single mother. Basically, my household was just full of life. Everything was lit all the time.
Secondly, there are such things as roving wiretaps. Now, by the way, any time you hear the United States government talking about wiretap, it requires - a wiretap requires a court order. [...] Nothing has changed, by the way. When we're talking about chasing down terrorists, we're talking about getting a court order before we do so. [...]
I was the youngest of four boys, raised in North Yorkshire.
All my life I had lived on the presumption that there was no existence beyond... flesh, the moment of being alive... then nothing. I had searched in superstition... But there was nothing. Then I heard the sound of my own life leaving me. It was so... tender. I regretted that I had paid it no attention. Then I believed in the wisdom of what other men had found before me... I saw that those simple things might be true... I never wanted to believe in them because it was better to fight my own battle. You can believe in something without compromising the burden of your own existence.
My mom always had a softer spot for boys, as a lot of Irish women do. If you were a girl, you'd have to sing or wear a pretty dress. But boys could just sit there and be brilliant for sitting there and being boys. It makes you that little bit more forward. Pushy. I was singing, always.
In order to make Alma innocent and open, I had to forget that I'm stressed as an actress because I'm making a film with Paul Thomas Anderson. I had to let go of everything and hold onto the text. The language was like a rope I could cling onto and make my way blindfolded through the shooting.
As I was always the youngest, I had to fight for everything.
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