A Quote by Maren Elwood

Fictional characters exist in only two places, neither of which is on the printed page. They exist, first, in the mind of the writer and, second, in the mind of the reader.
Reading, therefore, is a co-production between writer and reader. The simplicity of this tool is astounding. So little, yet out of it whole worlds, eras, characters, continents, people never encountered before, people you wouldn’t care to sit next to in a train, people that don’t exist, places you’ve never visited, enigmatic fates, all come to life in the mind, painted into existence by the reader’s creative powers. In this way the creativity of the writer calls up the creativity of the reader. Reading is never passive.
A writer often wants to change a reader’s perception about the world, which is a political act. But we have to work through character, so helping the reader to feel close to fictional characters is the gate through which we have to usher the reader.
My characters are fictional. I get ideas from real people, sometimes, but my characters always exist only in my head.
For, after all, how do we know that two and two make four? Or that the force of gravity works? Or that the past is unchangeable? If both the past and the external world exist only in the mind, and if the mind itself is controllable – what then?
If I use the word consciousness, in our lab, in our institute, what we mean is the special quality of mind, the special features that exist in the mind, that permit us to know, for example, that we, ourselves, exist, and that things exist around us.
An unread book does nobody any good. Stories happen in the mind of a reader, not among symbols printed on a page.
Whoever knows that the mind is a fiction and devoid of anything real knows that his own mind neither exists nor doesn't exist.
Mind is not simply the collection of aggregate cells inside your brain. If you are only the grey matter, then when that dies, you won't exist any more. It's not that easy. You exist forever.
We exist solely because we have a body and a mind ? a mind that arises out of the body. If this were true, we would cease to exist after our body was gone.
It is only when you open your veins and bleed onto the page a little that you establish contact with your reader. If you do not believe in the characters or the story you are doing at that moment with all your mind, strength, and will, if you don't feel joy and excitement while writing it, then you're wasting good white paper, even if it sells, because there are other ways in which a writer can bring in the rent money besides writing bad or phony stories.
The most annoying and full-of-crap thing a writer says is, 'I write only for myself, I don't care if anyone reads it.' A writer without a reader doesn't exist.
The most annoying and full- of- crap thing a writer says is, I write only for myself, I don't care if anyone reads it. A writer without a reader doesn't exist.
When we have a favorite writer, it's always the places where they grew up, lived, worked, and that they recreated on the page that we most want to visit and commune with. Faulkner's Mississippi, Raymond Chandler's Los Angeles, etc. The mind of the reader longs to be somewhere, not just anywhere, and certainly not nowhere.
The mind always functions in an eccentric way, the mind is always an idiot. The really intelligent person has no mind. Intelligence arises out of no-mind, idiocy out of the mind. Mind is idiotic, no-mind is wise. No-mind is wisdom, intelligence. Mind depends on knowledge, on methods, on money, on experience, on this and that. Mind always needs props, it needs supports, it cannot exist on its own. On its own, it flops.
If both the past and the external world exist only in the mind, and if the mind itself is controllable - what then?
Mind only comes into apparent existence through the action of perception. Mind appears to exist because it perceives.
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