A Quote by Maren Morris
I just love Dolly so much, and Loretta. They both are songwriters that knew what they wanted to say; they were bucking a system.
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She did get put through the system with a lot of the hit songwriters, who were great songwriters, but it was more like 'This is how it's done here. It turned her off - not specific people, but the whole system turned her off. And she wanted to do something, I think, that she could play for her friends in Texas and they would say, Okay, well you're still Miranda.
I think if I could ever write with someone, I'd love to write a song with Loretta Lynn or Dolly Parton.
I've had mentors who were kind of the troubadour singer-songwriters, like Merle Haggard, Loretta Lynn, Joni Mitchell, Bob Dylan and Neil Young, and that's just what I've always liked - people who would talk real honestly about their lives and their circumstance.
When I got signed with WWE, I got to choose names, and I originally wanted Macey Evans, my real maiden name. And then I chose Macey Loretta because I love Loretta - it is different.
In my office, I have framed album covers by Dottie West, Connie Smith, Tammy, Dolly, Loretta and Jessi Colter.
Loretta Lynn, Tammy Wynette, Dolly Parton and I were the first female headliners, where we would book our own opening acts. Before that, it was a standing joke that it was more like we had 'pretty little girl singers' opening for a male headliner.
Loretta Lynn was one of those ladies a long time ago that opened a lot of doors and paved the way for a lot of ballsy singer-songwriters who weren't just cute.
I started acting when I was really young. I knew I wanted to be in the industry in other ways. I knew that I wanted to do more than just act. I don't know that I knew it was screenwriting, but I just knew that I wanted to be involved.
But in my defense, I knew enough about her to know I wanted to know everything else; I knew as much about her as she wanted me to know; I knew as much about her as anyone ever knows about anyone. And isn't love just curiosity at the beginning anyway?
When I was really little, I listened to Dolly Parton, Loretta Lynn, Barbara Mandrel, Crystal Gayle, Kenny Rogers, Willie Nelson, and Patsy Cline.
Dolly Parton is hilarious. Loretta Lynn is hilarious.
Everyone around me does music, so I just kind of knew. It wasn't some magical moment. There were loads of other things I wanted to do. I wanted to be a lawyer, for example, because I just love arguing, but it wasn't on the cards.
My parents were both very musically inclined, they were both songwriters and musicians, so we grew up in the house singing music together, and R&B had a huge strong arm in the foundation of my career.
The only logical thing I can think of is that I knew there were such things as artists, and I knew there were none where I lived. So I knew that to be an artist you had to be somewhere else. And I very much wanted to be somewhere else.
When I was in high school in the early 1970s, we knew we were running out of oil; we knew that easy sources were being capped; we knew that diversifying would be much better; we knew that there were terrible dictators and horrible governments that we were enriching who hated us. We knew all that and we did really nothing.
When I started, we had just the camera and the person, mostly. And if you wanted to do a dolly shot, particularly working in Chicago where I began, you'd get in the back trunk of a car, and you'd have a friend drive the car, or you'd get in some kid's little wagon that he plays with and have someone pull that for dolly shots.
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