A Quote by Maren Morris

I've never been this loud personality. I don't dominate the room when I walk into it. I save that for stage. — © Maren Morris
I've never been this loud personality. I don't dominate the room when I walk into it. I save that for stage.
I am quite loud and bolshie. I'm a big personality. I walk into a room, big and tall and loud.
I'm a big personality. I walk into a room, big and tall and loud.
I've never been the sort of person to walk into a room and have *clicks fingers* 50 women want to sleep with me, ok, and suddenly you walk across a stage and you have a video clip and you know girls want to go out with you and think you're beautiful!
I've done a lot of stage in my life, but I never had to dominate a stage for three hours.
I will have a playlist ready that I'll play out to the audience before I walk on stage, and I'll listen to that same playlist in the room, so by the time I walk on stage, I'm in the same frame of mind the audience is.
How hard is hitting? You ever walk into a pitch-black room full of furniture that you've never been in before and try to walk through it without bumping into anything? Well, it's harder than that.
I think generally playing live is a crap idea. So much of stage work is the presentation of personality, and I've never been interested in that.
I might play characters that are loud in the movies, but in real life, I'm not loud in terms of personality.
I have never had one moment of stage fright and performing has always been a huge thrill and source of enjoyment for me. It's part of my personality.
It's important for me not to peak before I hit the stage. In other words, I save all of my creative and physical energy for when I walk on stage. If I can get 45 minutes of just easy going, playing rhythm, songs, stuff like that, then that's what I do to make sure that I'm all stretched out and ready.
For me anyway, until I was exposed to doing improvisation and walking onto a stage without any script, I would have never felt comfortable enough to walk into a room with someone like Larry David and audition.
I've never been strong enough to stand out on my own. I've had to develop versatility to make up for my lack of an impressive stage and screen personality.
In a world of fixed future, life is an infinite corridor of rooms, one room lit at each moment, the next room dark but prepared. We walk from room to room, look into the room that is lit, the present moment, then walk on. We do not know the rooms ahead, but we know we cannot change them. We are spectators of our lives.
I've never been lonely. I've been in a room... I've felt suicidal, I've been depressed. I've felt awful ... awful beyond all , but I never felt that one other person could enter that room and cure what was bothering me...or that any number of people could enter that room. In other words, loneliness is something I've never been bothered with because I've always had this terrible itch for solitude.
I believe that I've grown in my acting career because I've become more confident. I've become less worried about what people think. When I go into a meeting - 'audition', I have a different sense of self when I walk into the room. I'm here to give you my interpretation of your lines. This is my stage; I'm not waiting to be hired by you to be on your stage. We all might die tomorrow, so I'm going to have to live in my gift, today, and give you the best performance in this room, right now, in case this is the last time you get to see me!
Stand-up is the place where you can do things that you could never do in public. Once you step on stage you're licensed to do that. It's an understood relationship. You walk on stage - it's your job.
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