A Quote by Maren Morris

You either have to sing about being scorned by a lover or sing about thinking a boy is cute and wanting him to notice you. That's about as edgy as you can get. — © Maren Morris
You either have to sing about being scorned by a lover or sing about thinking a boy is cute and wanting him to notice you. That's about as edgy as you can get.
The things we sing about are timeless. Political affairs and social situations come and go. But if you're singing about empowerment and not playing by the rules, you can sing about them until you can't sing anymore.
You can't sing about the same things as you did when you were 20; it would be ridiculous to sing about, I don't know, being in the quad. You can't really write about mortgage payments or stuff like that... but you can talk about 'let's make the world a better place.'
The words are the important thing. Don't worry about tunes. Take a tune, sing high when they sing low, sing fast when they sing slow, and you've got a new tune.
I was writing songs as a kid about leprechauns and Catwoman and teapots - whatever it is that little girls wanna sing about. The first song I wrote was called "Kitten." It was about a boy named Liam, who I was just crazy about.
I wanna sing about something that's sexy and edgy.
I just really need to sing and sing and sing and not worry about writing. Just by singing for pleasure, your voice takes you to what it wants to sing. And that is how the best stuff kind of emerges.
I don't sing about politics or anything like that. I sing about love. That's what I know about.
Music tells you about the artist and what they were thinking about at the time, because the person has to think about it to sing it.
We all sing about the things we're thinking; musicals are about expressing those emotions that you can't talk about. It works a real treat.
What I look for in a voice is for it to be unique. I don't really care if a singer sings well. Really, it's about emotion, or being able to sing the lyrics and actually mean it. A lot of singers sing good notes but forget about what words they use.
That's the beautiful part about acting - you get to play somebody other than yourself. So, I'm open to people who can't sing, people who can, people that sing a little bit, or people that sing a lot.
Only a handful of people are honest when they sing. A lot of people sing about very vague things, or they'll sing about someone breaking up with them, but a lot of people don't go too deep into their past and stuff, because they don't want it to be let out. I just do it anyway.
You know, once somebody knows you can sing Elphaba, it's like being able to sing Evita - people shut up about it already.
You're the nicest boy ever,", I told him, feeling undeserving and terrible. "You didn't have to get me anything. I like thinking about you thinking about me when I'm not around.
Gentle lady, do not sing Sad songs about the end of love; Lay aside sadness and sing How love that passes is enough. Sing about the long deep sleep Of lovers that are dead, and how In the grave all love shall sleep: Love is aweary now.
The best career advice was to sing with an understanding and internalise the music - that was my mother's advice. Sing with intention, believe what it is you're saying, and think about it, before you sing it.
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