A Quote by Maren Morris

I missed being onstage behind the microphone. After a while, it was hard to hear another voice singing my lyrics. — © Maren Morris
I missed being onstage behind the microphone. After a while, it was hard to hear another voice singing my lyrics.
There's something about being onstage, singing my lyrics to somebody and them either listening and receiving them, or singing them back to me, that I just can't get enough of.
I love singing. I've never felt I've had a great voice but I feel I've gotten better. It's funny. I can hear my voice aging and getting stronger. I've relaxed about my singing so I'm hearing it the way I like it.
Singing for stage, if you don't hear yourself, that's when you push, and that's when you can hurt your voice sometimes. So if I can hear myself in my ear, it really helps me to find that balance of how loud I needed to be singing.
You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.
It was always difficult for me to listen to my singing voice for the first 20 years or so. I mean, I really enjoyed singing, and I enjoyed doing live shows, but being in a recording studio and having to hear my voice played back to me would really drive me up the wall.
I hate being up onstage with a microphone.
It's one point to build a singing voice, but giving someone his or her own voice back is something else all together different. Imagine not being able to communicate with your voice and then having it back! It's truly a mind-blowing experience to hear that happen.
When I hear someone, instantaneously, I'm like, 'Who's singing?' You're giving people so much of yourself, and my voice is the most natural, distinctive tool I have. It's up to me to express myself on a wider scale than just writing vocal melodies and lyrics.
What we do every day onstage, there's lights, there's lots of other musicians, there's an audience, there's a microphone and mic stands - layers of the onion we have to kind of hide behind.
Every day I remind myself of all that I have been given... With singing, you never know when you are going to lose the voice, and that makes you appreciate the time that you have when you are still singing well. I am always thanking God for another season, another month, another performance.
The very first Walnut Whales recording was recorded just a few weeks after I had started singing, out of the blue, started singing. And the voice, you can hear how uncomfortable I am with it, and how terrified I am with it.
When I'm on the microphone and I'm recording, or onstage, or shooting a video, I'm doing my job. When I'm not, I'm being myself.
I tried to connect my singing voice to my guitar an' my guitar to my singing voice. Like the two was talking to one another.
Every once in a while a voice appears that cuts through it all. As Hemmingway said, 'the truth has a certain ring to it.' When you hear the voice of Billy Vaughn you will hear the voice of an American manthe type of American who produces a Navy SEAL.
If you go and watch a Coldplay show, Chris Martin used to be a little timid onstage, but now the success that the band has had really gives him a lot of confidence to really own it. Also, I really admire the way that Ben Gibbard sings live, he just stays on pitch. That is something that I try to do. I don't have the greatest voice in the world, so I just try to think real hard while I'm singing and just do a good job.
I keep these songs in my head until I get behind the microphone. I never spend more than 30 or 40 minutes singing the vocal or it will sound mechanical. There are always mistakes, but it's about feeling more than being perfect.
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