A Quote by Margaret Atwood
The world is being run by people my age, men my age, with falling-out hair and health worries, and it frightens me. When the leaders were older than me I could believe in their wisdom, I could believe they had transcended rage and malice and the need to be loved. Now I know better. I look at the faces in newspapers, in magazines, and wonder: what greeds, what furies drive them on?
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Occasionally I was so much better that I could go out; but the streets used to put me in such a rage that I would lock myself up for days rather than go out, even if I were well enough to do so! I could not bear to see all those preoccupied, anxious-looking creatures continuously surging along the streets past me! Why are they always anxious? What is the meaning of their eternal care and worry? It is their wickedness, their perpetual detestable malice-that's what it is-they are all full of malice, malice!
I think there's a perception out there that people know me based on these glamorous photos they see of me in magazines, but I have about two hours of hair and makeup and then people to dress me, to make me look even better, in those pictures. There's really so much more to me than that.
The Drive-Bys want to believe that somebody like me on the radio could express difficulty, problems with the wall not going up now, the funding not being requested now, in lieu of a government shutdown. And they want you to believe that Donald Trump is in the White House, and somebody said, "You know what, Limbaugh just said you better not do this."
I finally accept that not only do I not understand the death of my relationship, but I do not need to. These men were good and kind to me, they loved me and I loved them back and the shock at the finish holds no wisdom. The revelation is not that I lost them, but that I had them.
I loved you so much once. I did. More than anything in the whole wide world. Imagine that. What a laugh that is now. Can you believe it? We were so intimate once upon a time I can't believe it now. The memory of being that intimate with somebody. We were so intimate I could puke. I can't imagine ever being that intimate with somebody else. I haven't been.
When we try to make a car that drives itself, we believe - whether we're right or not - we believe that there would be strong net positive benefit to the world if cars could drive themselves safer than people could.
When we, hijras, started our activism, we had to tell people, "We exist, we are humans. Please give us nothing but our basic dignity." The biggest misery in the world, I believe, is the feeling of being unloved, and that this community faces a lot. You're not even considered to be human. You're considered transparent. We were ignored until we started organizing, when HIV first became a factor. Even in the HIV world, people could not believe that hijras have sex. And then also we were put in the category of men having sex with men, the gay community.
Can't quite believe it after being so used to being musically invisible for so long. It makes me feel very warm to know that people who are the same age as I was when I wrote those songs understand them for what they were and find something in them.
Sometimes she teased me that she’d eventually catch up to me in age and be my older sibling. Looking at her now, with that determined glint in her eyes and the confidence in her voice, I could almost believe her
I think there's a perception out there that people know me based on these glamorous photos they see of me in magazines, but I have about two hours of hair and makeup and then people to dress me, to make me look even better, in those pictures.
I've had two romances since moving to Las Vegas. One was with somebody 12 years older than me, and the other was the same age, and neither worked out. I know people still think of me as one of Hugh Hefner's girlfriends, and he of course was much older than me, but that was a whole different lifestyle and a different kind of dating.
What's funny is that with my comedies I don't believe they're my best screenplays necessarily. They're just the ones that I wrote that I knew I could get financing, you know? I believe my other films could be better, but right now they're not being made. But they will eventually.
We were just trying to make the films that we could get made, and to push the envelope. We didn't realize how far we had pushed the envelope. That all came later. That all came from books and articles about the golden age of the '70s. Believe me, to a lot of us, it was no golden age. The studio heads were very powerful then. They would fire guys right and left. They would look at your dailies and tell you what was wrong with them... a lot of stuff that doesn't go on today. Young filmmakers who are successful today, they don't often have that to put up with.
I had a band and I didn't go to high school, all my friends were older than me. It was pretty cool to have such a focus at that age, but also it alienated me from a lot of people my age. So I felt pretty lonely and I didn't really have many friends when I was a kid.
My faith, my hermeneutics does not demand that I correlate every verse. In other words, there are often verses that appear, I'm a John 3:16 Christian, I believe God so loved the world, I do believe that, and I believe that whosoever believes in Him shall not perish. But I also believe, you know, predestination from the foundation of the Earth. So to me, I'm able to hold tensions in my mind rather than having to explain them. To me, I don't fit in a real good box and I believe them both.
Aristotle said that philosophy begins in wonder. I believe it also ends in wonder. The ultimate way in which we relate to the world as something sacred is by renewing our sense of wonder. That's why I'm so opposed to the kind of miracle-mongering we find in both new-age and old-age religion. We're attracted to pseudomiracles only because we've ceased to wonder at the world, at how amazing it is.
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