A Quote by Margaret Atwood

You need a certain amount of nerve to be a writer, an almost physical nerve, the kind you need to walk a log across a river. — © Margaret Atwood
You need a certain amount of nerve to be a writer, an almost physical nerve, the kind you need to walk a log across a river.
You need a certain amount of nerve to be a writer.
Failure isn't a problem. It's the fear of failure that's the limiting factor. You can't lose your nerve for the big failure, because it's the exact same nerve you need for the big success.
A hidden nerve is what every writer is ultimately about. It's what all writers wish to uncover when writing about themselves in this age of the personal memoir. And yet it's also the first thing every writer learns to sidestep, to disguise, as though this nerve were a deep and shameful secret that needs to be swathed in many sheaths.
I need a little language such as lovers use, words of one syllable such as children speak when they come into the room and find their mother sewing and pick up some scrap of bright wool, a feather, or a shred of chintz. I need a howl; a cry. When the storm crosses the marsh and sweeps over me where I lie in the ditch unregarded I need no words. Nothing neat. Nothing that comes down with all its feet on the floor. None of those resonances and lovely echoes that break and chime from nerve to nerve in our breasts making wild music, false phrases. I have done with phrases.
There's pressure and it's nerve-wracking, particularly in the Champions League. So you need to be able to free yourself to a certain extent and have fun in what you are doing.
I love playing women who have the nerve to do things that I don't have the nerve to do, and Berta is certainly one of those.
This is what I think: If you had the nerve to live what you lived, you should have the nerve to write it.
Where did I get the nerve to think I could handle American teenagers? Ignorance. That's where I got the nerve.
In nerve-free multicellular organisms, the relationships of the cells to each other can only be of a chemical nature. In multicellular organisms with nerve systems, the nerve cells only represent cells like any others, but they have extensions suited to the purpose which they serve, namely the nerves.
A certain amount of the kundalini is always floating through the ida and the pingala. These two little nerve tubes, on either side of the shushumna, keep us alive.
The body and dendrites of a nerve cell are specialized for the reception and integration of information which is conveyed as impulses that are fired from other nerve cells along their axons.
One might say, for example, that a patient has a kind of St Vitus's dance; a kind of dropsy; a kind of nerve fever; a kind of ague. One would never say, however (to end once and for all the confusion of these names) He has St. Vitus's dance, He has nerve fever, He has dropsy, He has ague, since there simply are not any fixed, unchanging diseases to be known by such names.
My hand moves because certain forces--electric, magnetic, or whatever 'nerve-force' may prove to be--are impressed on it by my brain. This nerve-force, stored in the brain, would probably be traceable, if Science were complete, to chemical forces supplied to the brain by the blood, and ultimately derived from the food I eat and the air I breathe.
When I meet children and people who suffer, when they mention any kind of pain, emotional pain, physical pain, I know what they need, because it's the same thing I need. They need healing, they need peace, they need joy, they need hope.
Start with the least amount of money possible. Some people say they need a certain amount to start, and I say you need a half of that or a third of that. That gives you the biggest return. If you put all your eggs in one basket, it's harder to adapt when you need to. Unless it's very capital-intensive, you don't need much money.
Scenes of blood and cruelty are shocking to our ear and heart. What man has nerve to do, man has not nerve to hear.
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