A Quote by Margaret Atwood
A home filled with nothing but yourself. It's heavy, that lightness. It's crushing, that emptiness.
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Many people are afraid of Emptiness, however, because it reminds them of Loneliness. Everything has to be filled in, it seems-appointment books, hillsides, vacant lots-but when all the spaces are filled, the Loneliness really begins. Then the Groups are joined, the Classes are signed up for, and the Gift-to-Yourself items are bought. When the Loneliness starts creeping in the door, the Television Set is turned on to make it go away. But it doesn't go away. So some of us do instead, and after discarding the emptiness of the Big Congested Mess, we discover the fullness of Nothing.
To be here, all you have to do is let go of who you think you are. That's all! And then you realize, "I'm here." Here is where thoughts aren't believed. Every time you come here, you are nothing. Radiantly nothing. Absolutely and eternally zero. Emptiness that is awake. Emptiness that is full. Emptiness that is everything.
The highest truth is to delete, not to add. To get rid of the things you believe in now. So empty yourself out totally and completely. All of your ideas, your feelings, all have to be emptied out of you. When you become totally and completely empty there is nothing you have to do to fill it up again. Emptiness is realization. Emptiness is Brahman. Emptiness is the Self. Emptiness is your real nature.
This is perdition: the things to which the heart was attached pass away while the person himself, who is an eternal being, is filled with nothing but emptiness when he should have been filled with God Himself. That is why it is so very important that we turn our focus inward to the source of life that lives forever, even as we ourselves will live forever.
All his life he [Robert Kennedy] had been schooled that nothing was worse than to finish second. But crushing fears are no longer so crushing once they are experienced.
And so you're afraid of the emptiness of your friend's life. But there's no emptiness in the life of a man of knowledge, I tell you. Everything is filled to the brim and everything is equal.
It was a place without a single feature of the space-time matrix that he knew. It was a place where nothing yet had happened - an utter emptiness. There was neither light nor dark: there was nothing here but emptiness.
By then I knew that everything good and bad left an emptiness when it stopped. But if it was bad, the emptiness filled up by itself. If it was good you could only fill it by finding something better.
Thoughtful lightness can make frivolity seem dull and heavy.
'Blood Host' is super heavy. Especially on the verses, it has an industrial stomp. It's one of my favourite tracks just because the plot of it is so heavy. It's a total crushing tune; it doesn't get any heavier than that main riff, just a straight quarter-note powerhouse.
There is something more important than the place being left. It's that swell of crushing emptiness that makes the insignificant seem anything but.
My home is different from my mother's, because hers is filled with beautiful objects that I was always afraid of breaking. My home is the opposite. Bring on the kids, the dogs, the parties - there's nothing that's so important it can't be broken.
At last the cold crept up my spine; at last it filled me from foot to head; at last I grew so chill and desolate that all thought and pain and awareness came to a standstill. I wasn't miserable anymore: I wasn't anything at all. I was a nothing-- a random configuration of molecules. If my heart still beat I didn't know it. I was aware of one thing only; next to the gaping fact called Death, all I knew was nothing, all I did meant nothing, all I felt conveyed nothing. This was no passing thought. It was a gnawing, palpable emptiness more real than the cold.
When my voice isn't doing what I want it to do, it's crushing in the most heavy way possible.
My heart is heavy, she thought. It’s not just a saying. It is what is—heavy, a great stone lodged in my breast, pressing down my whole being. How can I even stand straight and look out upon the world? I am doubled over into myself and, for all the weight, find only emptiness.
Dolby stereo increases the possibility of emptiness in film sound at the same time that it enlarges the space that can be filled. It's this capacity for emptiness and not just fullness that offers possibilities yet to be explored. Kurosawa has magnificently exploited this dimension in Dreams: sometimes the sonic universe is reduced to a single point-the sound of the rain, an echo that disappears, a simple voice.
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