A Quote by Margaret Atwood

Can I be blamed for wanting a real body, to put my arms around? Without it I too am disembodied. I can listen to my own heartbeat against the bedsprings...but there’s something dead about it, something deserted.
I think escapism is something artists write about pretty frequently - it's something everyone can relate to, the concept of wanting something more, wanting to find solace, wanting to have something better.
I'm sick and tired of people saying that taking drugs is a sickness. When you put something of your own free will in your own body knowing that it's harmful against the body, it's against the law and all it will do is lead you down the path of destruction, that is a weakness.
It’s therapy. It’s just something to do so you’re not lost in your own not-so-nice thoughts, and it’s an opportunity to think about something a lot nicer and to do something that’s with more purpose. So you do it, and you take your passion and you put a lot into it, and at some point you get recognized for it. But that recognition doesn’t mean the man is without his own demons or without his own struggles.
Wanting something - wanting a career or wanting to make something - doesn't really mean much. It's about finding something you care about. Because caring is the only thing that really matters.
For many years, I did pantomime with Marcel Marceau. I was a writer for him and got to know very well how to use the body for illustration. I wanted to do a mother without arms, but using the arms of her son in Santa Sangre. The tragedy should always have something funny. Something weird.
There's always so much music around me now, it seems like everything has to be something with music, so in my spare time I try not to listen to anything. It's so hard for me to listen to something without trying to see a benefit in it: 'Maybe I'll make my own version of that track or maybe I'll do this or that.'
The entity that gives life and motion to the human body is finer still and lies infinitely beyond the reach of our finest scientific instruments. When this entity deserts the body, the body is like a ship without a rudder - deserted, motionless, dead.
There's always so much music around me now, it seems like everything has to be something with music, so in my spare time I try not to listen to anything. It's so hard for me to listen to something without trying to see a benefit in it: "Maybe I'll make my own version of that track or maybe I'll do this or that." When I'm off I just don't want to hear anything.
There's something real in women's intuition. It's an accurate signpost for decision making, but it usually bumps up against man's logic. So we have to put ego aside and listen to them.
If one sins against the laws of proportion and gives something too big to something too small to carry it - too big sails to too small a ship, too big meals to too small a body, too big powers to too small a soul - the result is bound to be a complete upset. In an outburst of hubris the overfed body will rush into sickness, while the jack-in-office will rush into the unrighteousness that hubris always breeds.
The more I look around and listen I realize that I'm not alone. We are all facing choices that define us. No choice. However messy is without importance in the overall picture of our lives. We all at our own age have to claim something, even if it's only our own confusion. I am in the middle of growing up and into myself.
I don't want to see anyone. I lie in the bedroom with the curtains drawn and nothingness washing over me like a sluggish wave. Whatever is happening to me is my own fault. I have done something wrong, something so huge I can't even see it, something that's drowning me. I am inadequate and stupid, without worth. I might as well be dead.
To be a good artist, you need to be sensitive to the world around you, you need to be curious, you need to listen, you need to be willing to learn from people. A lot of great art is about people being moved by something or seeing something that stops them dead.
I just don't think people listen. I mean, they can't listen to a whole album closely without checking their iPhone or wanting to skip to their favorite song, or putting something else on, practically. That's why the zone out is a good thing.
There is warmth shooting through my broken body where there should be pain, and I put my arms around the back of his neck and I hold on to him. I hold on because you never know in this place when something good will be taken away.
That's sad. How plastic and artificial life has become. It gets harder and harder to find something...real." Nin interlocked his fingers, and stretched out his arms. "Real love, real friends, real body parts...
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