A Quote by Margaret Atwood
But people will do anything rather than admit that their lives have no meaning. No use, that is. No plot.
Related Quotes
There seems to me to be something admirable, indeed noble, about the people arguing over Richard III. They're doers rather than naysayers, romantics rather than realists, people looking for meaning rather than numbness.
I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are.
I will admit that we are attracted to issues that unify people rather than divide them.
Any plot you impose on your characters will be onomatopoetic: PLOT. I say don't worry about plot. Worry about the characters. Let what they say or do reveal who they are, and be involved in their lives, and keep asking yourself, Now what happens? The development of relationship creates plot.
The lives of individuals of the human race form a constant plot, in which every attempt to isolate one piece of living that has a meaning separate from the rest-for example, the meeting of two people, which will become decisive for both-must bear in mind that each of the two brings with himself a texture of events, environments, other people, and that from the meeting, in turn, other stories will be derived which will break off from their common story.
The more people share woodland, absorb it and regard it as part of their personal heritage and culture, the richer our society will be. The more people can work in woods and use them practically rather than go through the motions as a kind of ersatz exercise, the more they will care for the places themselves rather than the political idea of them.
This means keeping many trails open at once, inevitably requiring a fairly 'parallel' plot. This plot should be discovered rather than announced, so show, don't tell.
Remember: Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations. Plot is observed after the fact rather than before. It cannot precede action. It is the chart that remains when an action is through. That is all Plot ever should be. It is human desire let run, running, and reaching a goal. It cannot be mechanical. It can only be dynamic.
Rather than the destination it is the journey that lends meaning to our lives, great Neelkanth. Being faithful to our path will lead to consequences, both good as well as bad. For that is the way of the universe.
In our private lives, we hate saying sorry. I would rather saute my eyeballs in butter than admit I am wrong to my husband.
Obviously, a theatrical masterpiece needs more than a plot; many television shows are nothing but plot, and it is doubtful that they will stand the test of time. But I also don't think that making fun of plot or acting like we're all somehow 'above' structure is such a good idea.
You could probably prove, by judicious use of logarithms and congruent triangles, that real life is a lot more like soap opera than most people will admit.
I use really crazy subject matter, like all of those pictures of me throwing up and cutting myself, it's to make people think rather than be so mediocre. Instead of just seeing another girl with implants, I want to have meaning to what I do.
We will do anything to get away from our own pain. We will change our lives, rip people out, swallow a bottle of life-ending pills. When we hurt more than we can bear, when our lives get that dark, it's shocking what we will do to protect ourselves.
In New York one lives in the moment rather more than Socrates advised, so that at a party or alone in your room it will always be difficult to guess at the long term worth of anything.
We go to the mountain for enlightenment, for self-realization, for adventure, for discovery. It's pregnant with meaning. When people see a mountain, they invest it with meaning. Not plot. Not character.
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