A Quote by Margaret Atwood

When we think of the past it's the beautiful things we pick out. We want to believe it was all like that. — © Margaret Atwood
When we think of the past it's the beautiful things we pick out. We want to believe it was all like that.
Before I modeled, I never thought I was beautiful. Even right now, I don't think I'm beautiful. I think it's my personality that makes my beauty different and unique. If you look in the past, Chinese people have always considered things like big eyes, pointy nose, or big lips beautiful. I had the same thoughts as a child watching movies.
You know, I think I understand what you're like now. You're very beautiful and you think men are only interested in you because you're beautiful. But you want them to be interested in you because you're you. The problem is, aside from all that beauty, you're not very interesting. You're rude, you're hostile, you're sullen, you're withdrawn... oh, I know- you want someone to look past all that at the real person underneath. But the only reason anyone would bother to look past all that is because you're beautful. Ironic, isn't it? In an odd way you're your own problem.
We're all like detectives. We want to figure things out. Life, you know, we want to figure out life, and we want to figure out what's going on, so it's beautiful. It's beautiful that people are thinking.
I think as someone who collects beautiful things from the past, the thing that I miss the most about modernism and the things I lament about the past are everyday things that you would use were made more beautifully.
You never want to think the best things are in the past. You want to get yourself to believe that the best things are going to be in the future.
On Furnishing One's Home - Pick your furniture like you pick a wife; it should make you feel comfortable and look nice, but not so nice that if someone walks past it they want to steal it.
One of the beautiful things about having kids is I had no idea how much it will make you look into yourself and who you are and what you believe in and what your past was like and all that kind of stuff. I think it's made me really look at life in a much more intense way.
I have to figure out why I worked at a job I hated for years. I have to find out why I can’t see what everyone else sees in me. I don’t feel beautiful. When I look in the mirror, I never saw beautiful. For this to happen to someone like me, it’s devastating, Jonas. I don’t want you to think it’s vanity, it isn’t. I can’t see me and I need to be able to do that. I need to find out what I’m like and what I want. I have to be comfortable in my own skin before I can be in a relationship the way you want.
What most people call loving consists of picking out a woman and marrying her. They pick her out, I swear, I’ve seen them. As if you could pick in love, as if it were not a lightning bolt that splits your bones and leaves you staked out in the middle of the courtyard. They probably say that they pick her out because-they-love-her, I think it’s just the siteoppo. Beatrice wasn’t picked out, Juliet wasn’t picked out. You don’t pick out the rain that soaks you to a skin when you come out of a concert.
I think the painted backgrounds in animations are absolutely stunningly beautiful. There's something really special about this medium. I don't believe audiences have grown past it. I think what audiences love is to be entertained-thoroughly, deeply entertained, and that's what I've always set out to do.
One of the things I learned early on was the system of believing: you have to believe in what you say. The camera is the arbiter of truth; it's the all-seeing eye that can pick out discrepancies. You can't lie to the camera. You must believe in what you're saying, or the audience won't believe you.
I think happiness is a choice. I believe luck is your attitude. It sounds like a really annoying bumper sticker. But there is such a great truth in that. You choose how you want to feel about what happens to you. I could have been a miserable failure. I haven't had anybody looking over me, and I've found my own way through optimistic exploration and fire-burning mistakes. I am a very happy person with an extraordinary life, so I must be doing a lot of things right. I really believe when you peel away the layers, the worlds is a beautiful place filled with beautiful people.
I think each person, if you're a CEO, the most important thing is to have - to me, is to pick people around you that aren't like you, that complement you. Because you want to build a puzzle; you don't want to stack Chiclets up and have everyone be the same. And so I believe in diversity with a capital D.
Things like that happen all the time in this great big world of ours. It's like taking a boat out on a beautiful lake on a beautiful day and thinking both the sky and the lake are beautiful. So stop eating yourself up alive. Things will go where they're supposed to go if you just let them take their natural course.
You don't want to really pick on someone that you genuinely like. In terms of 'Billy on the Street,' there are certain actors - I don't care if they find out because I do feel that way. Though it's almost never about appearance or something out of their control. I pick on choices they've made or roles they've taken.
I know there is something out there, and like most people, I tend to believe in it more when things go bad. But I'm not like Shirley MacLaine, who probably believes we were past lovers in another life.
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