A Quote by Margaret Atwood

Is anything wrong, dear? the old joke went. No, why? You moved. Just don't move. — © Margaret Atwood
Is anything wrong, dear? the old joke went. No, why? You moved. Just don't move.
The nature of comedy is 'just do it.' But I think what's interesting about it is this joke has been around and why. And it's just saying what's wrong and how wrong can you be if you say it.
Why is it so much easier to talk to a stranger? why do we feel we need to disconnect in order to connect? If I wrote "Dear Sofia" or "Dear Boomer" or "Dear Lily's Great-Aunt" at the top of this postcard, wouldn't that change the words that followed? Of course it would. But the question is: When I wrote "Dear Lily," was that just a version of "Dear Myself"? I know it was more than that. But it was also less than that, too
The whole Universe is a large joke. Everything in the Universe are just subdivisions of this joke. So why take anything too serious.
I sometimes joke - but the joke is not so wrong - that after my time in East Germany, I could either afford therapy to work through what happened under the Communists or move to New York.
You're going to get flak if you tell the wrong joke, but it's still the wrong joke. Give the wrong speech, you take it on the chin.
Some street jokes are just timeless. There's an old street joke about comedians. The joke is that a beautiful girl comes up to a comedian at the end of the night and says, "I saw your show tonight, and I just loved it. I want to go home with you, and I'll do anything you want." And the comedian says, "Were you at the 7 or the 9?" That's just a perfect joke, because it points out how egomaniacal and obsessive comedians are. Even though I'm not waiting for a groupie, I can completely understand it. It just defines how comedians are driven.
It takes a heap o' children to make a home that's true,And home can be a palace grand, or just a plain, old shoe;But if it has a mother dear, and a good old dad or two,Why, that's the sort of good old home for good old me and you.
What’s the impulse behind art? It’s saying in whatever language is the language of your work, “If I could move you as much as it moved me … if I can move anyone a tenth as much as that moved me, if I can spark the same sense of mystery and awe and surprise as that sparked in me, well that’s why I do what I do.”
Once I got married and had kids, I moved away from romantic roles, because it seemed wrong to have my 3-year-old wondering why Daddy was kissing someone else.
Let's hit the joke once and move on to the next joke and just keep it where we have as many jokes per square inch as possible.
Once I got married and had kids, I moved away from romantic roles, because it seemed wrong to have my three-year-old wondering why Daddy was kissing someone else.
The fact that 'Mom' is not joke, joke, joke - and is investing in these characters and their lives, things that really happen to people - I think it's resonating, and that's why people are tuning into it and not just dismissing it as a multi-cam sitcom.
You know how mountains get moved? Everyone who can move a couple, move a couple. Those who can move rocks, move rocks. Those who can move boulders, move boulders. That's how mountains get moved. If every one of us did everything we could, I believe we would be in a different world.
Though I do not believe in the order of things, still the sticky little leaves that come out in the spring are dear to me, the blue sky is dear to me, some people are dear to me, whom one loves sometimes, would you believe it, without even knowing why; some human deeds are dear to me, which one has perhaps long ceased believing in, but still honors with one's heart, out of old habit..." --Ivan Karamazov
I asked why me? Why did I have to suffer so much pain and scars? I was just a little girl - I didn't do anything wrong.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
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