A Quote by Margaret Atwood
Sometimes reactions can be quite surprising: readers like things that you, the author, feel you've barely gotten away with; or they dislike one of the parts you secretly think is one of your little gems.
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Authors frequently say things they are unaware of; only after they have gotten the reactions of their readers do they discover what they have said
When I was younger, I behaved a bit strangely sometimes - lost my temper, did silly things - but little by little, I've gotten better. As a chef, I think you need to do a lot of work on yourself and your temperament.
I just don't feel that we've traveled very far in the realm of social equality. There just seems to be a little bit of unrest. And sometimes I think that happens when you really feel like something's about to change. Right before the moment of lift off, sometimes things feel a little bit unhinged, and that's what it feels like to me right now, both as a woman and just as a human on the planet as an American woman in America. I feel like we're on the precipice of change. I feel a little nervous.
Publishing a book is a great thing, and I'm grateful, but it's also a horrible, exposing thing. Once you've published a book, you never write quite as freely again. You're aware, from that point onward, of the kinds of things critics might say about it. You're aware of the kinds of things your publishers might like and dislike about it. You're half-aware of marketing strategies - of all the stuff around the book. Whereas with your very first piece of fiction, if you're lucky, those things barely occur to you at all.
I'm not immune to the readers' desires. Sometimes they are my own, because I'm a reader, too. The readers' desire to know what really happened and what didn't. To have a glimpse into what's really the author and what isn't. I think we all have that and I wonder about what it means.
Life's harder, the deeper you feel things, was all I could think as I put the books away. Feelings, who needs them? Sometimes they're like a gift, when you feel love or happiness. Sometimes they're a curse.
I've got a great dislike of reunions. It's a little like trying to go back and relive the best parts of your life, but you can't do it. Nothing is ever the same.
I'm fast. I feel like I can feel things before the play starts. I think my reactions are quick. I think I have great vision. So, I use those.
I think some of the things I deal with Hopper probably has dealt with also, since it's somewhat the same environment and I have pretty strong reactions to what this country looks like. It looks pretty dull and spare, and you like this and dislike it and it's very complicated.
I think the gay community is made up of so many little different things, different parts, different people... I think that can be quite hard for people. You think you've found your tribe, but actually, that isn't your tribe, and then you have to keep searching for what kind of makes sense.
Sometimes it feels like it hurts when you make a big purchase, so I really believe that the more expensive things should be gems that you keep in your closet, not trends.
I feel that historical novelists owe it to our readers to try to be as historically accurate as we can with the known facts. Obviously, we have to fill in the blanks. And then in the final analysis, we're drawing upon our own imaginations. But I think that readers need to be able to trust an author.
I spend a lot of my time thinking about how to spend my time. Probably too much - I probably obsess over it. My friends think I do. But I feel like I kind of have to, because these days, it feels like little bits of my time kind of slip away from me, and when that happens, it feels like parts of my life are slipping away.
As an author, you think you know where the good parts and the bad parts are. And then you read to a group of children, and you learn when you're boring them, and you hurry through those sections to get to the parts where they're interested again. You start to get a sense of your story's rhythm and flow.
Sometimes films about oppression or suppression can be quite maudlin and quite dour. Sometimes you need a little sugar with the medicine and I think of myself as the little sugar.
Gone are the days when a publisher could take out an ad, count on a few reviews, and have an author do a couple of signings. Nowadays, readers want to feel a connection with an author.
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