A Quote by Margaret Atwood

Even in the tragedies, Shakespeare always put in parts for the comic actors because his audience was mixed. He puts in people who talk like aristocrats. He puts in idiots and fools. He puts in certain middle-range characters. And when you go to the Globe, you realize how that all works. The people who paid more sat in seats around the edge. Everybody else paid a penny. They put it into a tin box - that's why we call it the "box office." They stood in the pit, but they were very close, so when Hamlet was doing his soliloquy, it was addressed to you, the audience - right there.
Even in the tragedies, [William] Shakespeare always put in parts for the comic actors because his audience was mixed. He puts in people who talk like aristocrats. He puts in idiots and fools.
They are born, put in a box; they go home to live in a box; they study by ticking boxes; they go to what is called "work" in a box, where they sit in their cubicle box; they drive to the grocery store in a box to buy food in a box; they talk about thinking "outside the box"; and when they die they are put in a box.
When an artist becomes pop, it's because the people choose it. Yes, you can have that dream to be a big pop star, but it's the audience that puts you in that position. I never had a paid marketing campaign, it was never like that.
Do not put your work off till to-morrow and the day after; for a sluggish worker does not fill his barn, nor one who puts off his work: industry makes work go well, but a man who puts off work is always at hand-grips with ruin.
A scary movie puts a lot of people, a mob, in one place. There are advantages to that because the panic runs through the audience. If it's a good movie, the fear jumps from one person to the next. You can find yourself screaming just because everybody around you is screaming. There's a real atmosphere of terror. It's also visual, which means that you can't look away from this thing - it's happening. You're in the dark. It's like a nightmare. It's like a dream. It's very, very visual. It works on all those levels.
To portray an iconic character has been brilliant in itself, and to be able to do that on a show like 'Once Upon a Time' enhances that because the show puts a spin on characters and makes them very different and puts core values that are very different that aren't in the original fairy tales a lot of people relate to.
This is how God works. He puts people in positions where they are desperate for his power, and then he shows his provision in ways that display his greatness
People have a different idea of how movies are made than they really are. On a certain level, everyone throws ideas into the hopper. It's not like the actors are wind-up dolls that you push out onto the floor, play with, then put back in the box. You get people around you who you trust; the writer, the producer, the director and all the actors all contribute.
It's possible I'm a weird person, you know, and if I could only write for people who are like me, I wouldn't have any audience at all. Ultimately, I'm my audience. I'm writing stories for myself. I don't have kids of my own, and I don't hang around kids all that much. Maybe that puts me at a disadvantage.
When I hear about a player losing his money, I'll rarely, if ever, point a finger at the player because I know how difficult it is. It's not always, 'Look at this idiot who got paid all these millions of dollars and lost it all.' It may be more like, 'This naive kid with a million things going on in his life put his faith in the wrong people.'
What I don't like is the way people automatically think I am a kept woman, that he pays my expenses. This puts me in a rage. I've always paid my own way, even while living in his mansion. I've kept an apartment of my own. In fact, I not only buy my own clothes, but many of Hef's, too - he just hates to shop.
Alan Ladd was a marvelous person in his simplicity. In so many ways we were kindred spirits. We both were professionally conceived through Hollywood's search for box office and the types to insure the box office. And we were both little people. Alan wasn't as short as most people believe. It was true that in certain films Alan would climb a small platform or the girl worked in a slit trench. We had no such problems together.
While we have a very strong popular culture, the roots of American culture are very shallow, and we put emphasis on how a movie does as far as the box office goes. Many years ago, it would have been vulgar to print box - office grosses in the paper. Now The New York Times does it, and it's the big story for people interested in arts and entertainment on Monday. Which is why emphasis has shifted away from filmmakers and fallen on movie stars and business people.
To me, Dan Evans is an example of somebody that puts the clock back a little bit and tells everybody: 'Listen, tennis is not a freak sport where you need to have rich parents, who sit in your players' box for every single week of the whole year, and you need to talk to your coaches' box between every shot.'
I didn't want to take the DC universe, put it in a box, shake the box and pour it out. I wanted to take the major characters and show what they could be like if they were put on a different path.
He puts his right hand lightly on the cup, I put my left, leaving the right free to transcribe, and away we go. We get, oh, 500 to 600 words an hour. Better than gasoline.
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