A Quote by Margaret Atwood

I was kidnapped by literature at a young age and never wanted to be ransomed. — © Margaret Atwood
I was kidnapped by literature at a young age and never wanted to be ransomed.
I think so much of young adult literature sort of gets ghettoized - the title 'young adult' makes people immediately discount it. And just like with books that get written for adults, there is plenty of young adult literature that is bad. But there is also plenty of young adult literature that is brilliant.
I knew from a young age that I wanted to be an actor. I never even thought about other careers. The acting field is certainly not the path many Indian parents encourage their children to take, but mine were very supportive. They wanted me to have an education, but understood that this is what I wanted to do.
Literature has neglected the old and their emotions. The novelists never told us that in love, as in other matters, the young are just beginners and that the art of loving matures with age and experience.
For me, at a very young age, I knew I wanted to be in the entertainment industry; I wanted to be an announcer. I was very smitten at an early age with the voice I heard coming from a radio.
National literature does not mean much these days; now is the age of world literature, and every one must contribute to hasten thearrival of that age.
I never wanted to do TV. I just did what I was trained to do through the Special Forces, and I've been doing that from a very young age.
My childhood was pretty ordinary, except from a very early age, I wanted to be scared. I just did. I was scared afterwards. I wanted a light on, because I was afraid that there was something in the closet. My imagination was very active, even at a young age.
I never really knew I wanted to 'be' a writer, but I was always writing from a very young age. It became more conscious as an ideal when I was in my twenties.
When we're young, everyone over the age of thirty looks middle-aged, everyone over fifty antique. And time, as it goes by, confirms that we weren't that wrong. Those little age differentials, so crucial and so gross when we are young erode. We end up all belonging to the same category, that of the non-young. I've never much minded this myself.
Real art has been... what's the word? Kidnapped? No, that's not it. But, OK, kidnapped by business.
I never wanted to change the world. Norman Mailer wanted to, he set himself the task of changing the consciousness of our age. And I think he came pretty close, in the 1960s, to actually managing to do it. But me? No, no, I never wanted anything like that. I'm not Maileresque.
I've always been very cautious with what I do. You know, that started at a young age. I always had the approach or the mentality I never wanted to embarrass my parents.
I never think about age. I believe your age is totally how you feel. I've seen women of thirty-five who are old and people of seventy-five who are young. As long as I look after myself physically, mentally and emotionally, I'll stay young.
Now then, what do we know? One, that Professor Fassbinder and his daughter have been kidnapped. Two, that someone has kidnapped them. Three, that my hand is on fire.
My first professional audition - god, I've never told anybody about this - was for a test commercial, I think it was for Xbox. It involved me getting kidnapped by a granny who wanted to play the Xbox. It was very weird and I definitely had no idea what I was doing. I actually got the gig. It wasn't a commercial; it was what directors did when they wanted to show the company what they would do with a commercial.
I think from the very beginning with 'We Are Young,' there was never any question about where we wanted the song to go and what we wanted it to sound like. And we knew that we wanted it to be big, we wanted it to be booming over the speakers at an arena or something.
This site uses cookies to ensure you get the best experience. More info...
Got it!