A Quote by Margaret Atwood
That is what you have to do before you kill, I thought. You have to create an it, where none was before.
Related Quotes
Before you speak, listen. Before you write, think. Before you spend, earn. Before you invest, investigate. Before you criticize, wait. Before you pray, forgive. Before you quit, try. Before you retire, save. Before you die, give.
When I was about 17 I knew that I was going to be serious about music. Before that I thought, fairly certainly, that I would be a writer. Before that, I thought I would be a forward in the NBA. And before that I thought that I would own a snake farm.
Someone was hurt before you, wronged before you, hungry before you, frightened before you, beaten before you, humiliated before you, raped before you... yet, someone survived... You can do anything you choose to do.
This kid came up with Napster, and before that, none of us thought of content protection.
You can create meaning where there was none, you can create feeling where there was none, you can create narrative where there was none. Two frames can be the difference between something that works and something that doesn't. It's fascinating.
Every time I plant a seed, He say kill it before it grow, he say kill it before they grow.
Before we take to the sea, we walk on land. . . Before we create, we must understand. . .
The point is, there is no feasible excuse for what are, for what we have made of ourselves. We have chosen to put profits before people, money before morality, dividends before decency, fanaticism before fairness, and our own trivial comforts before the unspeakable agonies of others
Is it really that much better to make friends with animals before you kill them than to treat them as nameless, faceless objects before you kill them? From a yogic point of view, one must weigh the karmic consequences of perceiving others as mere objects to be used and the consequences of profiting from the suffering of others.
There's nothing else exactly like it in any other art form, the orchestration of so many different elements. It's endlessly fascinating what can be done editorially. You can create meaning where there was none, you can create feeling where there was none, you can create narrative where there was none. Two frames can be the difference between something that works and something that doesn't. It's fascinating.
Fascination with horses predated every other single thing I knew. Before I was a mother, before I was a writer, before I knew the facts of life, before I was a schoolgirl, before I learned to read, I wanted a horse.
I know that there are scores of people plotting to kill me, and this is not difficult to understand. After all, did we not seize power by plotting against our predecessors? However, I am far cleverer than they are. I know they are conspiring to kill me long before they actually start planning to do it. This enables me to get them before they have the faintest chance of striking at me.
I have to keep law and order and it means that I have to kill my enemies before they kill me.
In the beginning, we create the enemy. Before the weapon comes the image. We think others to death and then invent the battle-axe or ballistic missiles with which to actually kill them. Propaganda precedes technology.
I couldn't kill a chicken, I couldn't kill a cow - I was a vegetarian too at that time - so I thought, well what is there that I could kill? I couldn't kill this and I couldn't kill that.
When bodies spring apart, because the air
Somehow condenses, wander they from truth:
For then a void is formed, where none before;
And, too, a void is filled which was before.
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