A Quote by Margaret Atwood
This has been her problem all her life: picturing other people's responses. She's too good at it. She can picture the response of anyone--other people's reactions, their emotions, their criticisms, their demands--but somehow they don't reciprocate. Maybe they can't. Maybe they lack the gift, if it is one.
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Unlike me, Renee was not shy; she was a real people-pleaser. She worried way too much what people thought of her, wore her heart on her sleeve, expected too much from people, and got hurt too easily. She kept other people's secrets like a champ, but told her own too fast. She expected the world not to cheat her and was always surprised when it did.
Without beauty a girl is unhappy because she has missed her chance to be loved. People do not jeer at her, they are not cruel to her, but it is as if she were invisible, no eyes follow her as she walks. People feel uncomfortable when they are with her. They find it easier to ignore her. A girl who is exceptionally beautiful, on the other hand, who has something which too far surpasses the customary seductive freshness of adolescence, appears somehow unreal. Great beauty seems invariably to portend some tragic fate.
Early in last season, George was very worried about other people's emotions, especially how they saw her, and felt she was outside looking in. This year, she still hopes people will accept her for who she is, but if they don't, she's OK with that.
In a way, her strangeness, her naiveté, her craving for the other half of her equation was the consequence of an idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like an artist with no art form, she became dangerous.
Kathryn Bigelow is a really good example of somebody that has maintained her truth and she makes the films she wants to make and she hasn't let other people affect her too much. Her last film is to me so inspiring and the way she sees war, the way she set up those really intimate relationships in and amongst this carnage.
She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.
Maybe she should cut the guy a little slack, [...] Maybe Thorne had been a no-show because something bad happened to him on the job. What if he'd been injured in the line of duty and didn't come by as promised because he was incapacitated in some way? Maybe he hadn't called to apologize or to explain his absence because he physically couldn't. Right. And maybe she had checked her brain into her panties from the second she first laid eyes on the man.
Whenever an occasion arose in which she needed an opinion on something in the wider world, she borrowed her husband's. If this had been all there was to her, she wouldn't have bothered anyone, but as is so often the case with such women, she suffered from an incurable case of of pretentiousness. Lacking any internalized values of her own, such people can arrive at a standpoint only by adopting other people's standards or views. The only principle that governs their minds is the question "How do I look?
She believes in love and romance. She believes her life is one day going to be transformed into something wonderful and exciting. She has hopes and fears and worries, just like anyone. Sometimes she feels frightened. Sometimes she feels unloved. Sometimes she feels she will never gain approval from those people who are most important to her. But she’s brave and good-hearted and faces her life head-on.
From an early age she had developed the art of being alone and generally preferred her own company to anyone else’s. She read books at enormous speed and judged them entirely on her ability to remove her from her material surroundings. In almost all the unhappiest days of her life she had been able to escape from her own inner world by living temporarily in someone else’s, and on the two or three occasions that she had been too upset to concentrate she had been desolate.
Occasionally, on screen, Barbara [Stanwyck] had a wary, watchful quality about her that I've noticed in other people who had bad childhoods; they tend to keep an eye on life because they don't think it can be trusted. After her mother was killed by a streetcar, she had been raised in Brooklyn by her sisters, and from things she said, I believe she had been abused as a child. She had lived an entirely different life than mine, that's for sure, which is one reason I found her so fascinating. I think her early life was one reason she had such authenticity as an actress, and as a person.
One of my aunties inspires me beause of how easily she shows her emotions, and she isn't ever afraid to cry. My mum, for her work ethic - she might not show her emotions in public very much, but she's a total power woman. My grandma, who watched four of her children die before her, she's a powerhouse.
Mum and I have always been close. Her adoptive parents died when she was 18, and she doesn't have any other kids, so I'm her only family. She lives life to the full, and I envy her vitality. She has pink hair and is a younger spirit than me.
She had been so wicked that in all her life she had done only one good deed-given an onion to a beggar. So she went to hell. As she lay in torment she saw the onion, lowered down from heaven by an angel. She caught hold of it. He began to pull her up. The other damned saw what was happening and caught hold of it too. She was indignant and cried, "Let go-it's my onion," and as soon as she said, "my onion," the stalk broke and she fell back into the flames.
It was like they waited to tell each other things that had never been told before. What she had to say was terrible and afraid. But what he would tell her was so true that it would make everything all right. Maybe it was a thing that could not be spoken with words or writing. Maybe he would have to let her understand this in a different way. That was the feeling she had with him.
Eleanor Roosevelt never thought that she was attractive. She never thought that she was really sufficiently appealing. And I think her whole life was a response to her effort to get her mother to pay attention to her, to love her, and to love her as much as she loved her brothers.
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