A Quote by Margaret Atwood
He’d developed a strangely tender feeling towards such words, as if they were children abandoned in the woods and it was his duty to rescue them.
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Do behold the king in his glory, King Sequoia. Behold! Behold! seems all I can say.... Well may I fast, not from bread but from business, bookmaking, duty doing & other trifles.... I’m in the woods woods woods, & they are in mee-ee-ee.... I wish I were wilder & so bless Sequoia I will be.
Strange indeed is human nature. Here were these men, to whom murder was familiar, who again and again had struck down the father of the family, some man against whom they had no personal feeling, without one thought of compunction or of compassion for his weeping wife or helpless children, and yet the tender or pathetic in music could move them to tears.
Children's authors have to pick words that reflect the spirit of a book and convey its message but also words that light children up, that children will recognize. Words that inspire and comfort. Words that challenge yet don't patronize. Words that, well, mean something to them.
Herman Melville is not comforting. Emily Dickinson isn’t either. Maybe their work is too hungry for comfort, or just too vivid for comfort. But Henry James is – profoundly so. Because he is tender. The tenderness is there in the structure of the sentence. He knows the way the poor and the dead are forgotten by the living, and he cannot allow that to happen. So he keeps on writing for them, for the dead, as if they were children to be sheltered and loved, never abandoned.
A man's fatherliness is enriched as much by his acceptance of his feminine and childlike strivings as it is by his memories of tender closeness with his own father. A man who has been able to accept tenderness from his father is able later in life to be tender with his own children.
The Rolling Stones were an inkling towards an appreciation of the unity of music, dance and words. Any of the black R&B people who had a stage show that involved dancing, music and words did the same thing, except that I thought Jagger's words were good, his music was good and his dancing was good. I spoke to him about Blake and tried to get him to sing [William] Blake's The Grey Monk, to use his words as lyrics. He didn't do it. In the end, I did it myself.
I used to think that what scared me was the idea of being abandoned until someone said to me, 'Only children can be abandoned. Adults can't be abandoned because we have a choice. Children don't have a choice.'
I used to think that what scared me was the idea of being abandoned until someone said to me, "Only children can be abandoned. Adults can't be abandoned because we have a choice. Children don't have a choice."
The woods are a place where children can go to think. Children gravitate towards these spaces. When I was a child it was nothing more than a scrubby little overhang under a rhododendron bush, but it was incredibly important to me.
I've learned... That one should keep his words both soft and tender, because tomorrow he may have to eat them.
sentences were used by man before words and still come with the readiness of instinct to his lips. They, and not words, are the foundations of all language. ... Your cat has no words, but it has considerable feeling for the architecture of the sentence in relation to the problem of expressing climax.
Under the common law, one of the more controversial rules is the 'no duty to rescue rule' that says that, if you were not responsible for placing someone in danger or risk, you have no obligation to help them, even when it would cost little to save their life.
Then he raised her enough to whisper in her ear, and while his voice was tender, his words were savage. "You're my woman, and no man or God or ghost will ever take you from me.
Children are never too tender to be whipped. Like tough beefsteaks, the more you beat them, the more tender they become.
I gave examples from my clinical practice of how love was not wholly a thought or feeling. I told of how that very evening there would be some man sitting at a bar in the local village, crying into his beer and sputtering to the bartender how much he loved his wife and children while at the same time he was wasting his family's money and depriving them of his attention. We recounted how this man was thinking love and feeling love--were they not real tears in his eyes?--but he was not in truth behaving with love.
In the woods, too, a man casts off his years, as the snake his slough, and at what period soever of life, is always a child. In the woods is perpetual youth. Within these plantations of God a decorum and sanctity reign, a perennial festival is dressed, and the guest sees not how he should tire of them in a thousand years. In the woods we return to reason and faith.
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