A Quote by Margaret Atwood

All stories are about wolves. All worth repeating, that is. Anything else is sentimental drivel. — © Margaret Atwood
All stories are about wolves. All worth repeating, that is. Anything else is sentimental drivel.
All stories are about wolves. All worth repeating, that is. Anything else is sentimental drivel. ...Think about it. There's escaping from the wolves, fighting the wolves, capturing the wolves, taming the wolves. Being thrown to the wolves, or throwing others to the wolves so the wolves will eat them instead of you. Running with the wolf pack. Turning into a wolf. Best of all, turning into the head wolf. No other decent stories exist.
I never want to repeat myself. I can't imagine anything else as upsetting as realizing I'm redoing something I did before. For some reason, when it comes to film, I'm very good at not repeating myself. Even though in the rest of my life, I'm constantly repeating my mistakes.
I try to keep deep love out of my stories because, once that particular subject comes up, it is almost impossible to talk about anything else. Readers don't want to hear about anything else. They go gaga about love. If a lover in a story wins his true love, that's the end of the tale, even if World War III is about to begin, and the sky is black with flying saucers.
Repeating is harder than anything else.
There is perhaps no field aspiring to be scientific where flagrant personal bias, logic martyred in the cause of supporting a prejudice, unfounded assertions, and even sentimental rot and drivel, have run riot to such an extent as here.
The trouble is, I can't find a part of myself where you're not important. I write in order to be worth your while and to finance the way I want to live with you. Not the way you want to live. The way I want to live with you. Without you I wouldn't care. I'd eat tinned spaghetti and put on yesterday's clothes. But as it is I change my socks, and make money, and tart up Brodie's unspeakable drivel into speakable drivel so he can be an author too, like me.
My search is always to find ways to chronicle, to share and to document stories about people, just everyday people. Stories that offer transformation, that lean into transcendence, but that are never sentimental, that never look away from the darkest things about us.
I enjoy the hero genre more than anything else. I enjoy origin stories. I enjoy doing stories about people who learn what they are capable of.
If there is anything worth serving, it's this love. If there is anything worth being, it's this love. If there is anything worth talking about it's this love. If there is anything of real value it's this love.
How can one bargain for anything that is worth while? And what else is worth bargaining for?
I never wanted to do anything else but fight, when I was a kid. I never had any broader perspective of my own perspective. I didn't know anything about anything else. I just wanted to fight until I could fight no more, and then I wanted to own a bar and drink and tell war stories.
[Stephenson] believes that, as research becomes more airborne and more office-bound, we generalize more and more, and we lose the vast range of wolf experience; in fact, there are soft wolves and hard wolves, kind wolves and malicious wolves, soldiers and nurses, philosophers and bullies.
I wanted to paint pictures of people. I thought, "Why bother doing anything else. Everything else is a waste of time. I want to tell stories about people and their feelings and emotions."
In my work, and in my psyche, there's some very sentimental, traditional, conventional side that's always in argument with a more radical, sarcastic side. Some of my stories are really sentimental, but they're layered over with weird, satirical stuff.
I hear all the time that boys don't like stories about girls. Which never made much sense to me. Wasn't 'Terminator' about a girl? And 'Alien'? Hell, I grew up on 'The Wizard of Oz.' People enjoy stories about anything if they're good stories.
The Company of Wolves is about how society teaches young women to look at themselves, and what to be afraid of. It's about a girl learning that the world of sensuality and the unknown is not to be feared, that it's worth getting your teeth into.
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