A Quote by Margaret Atwood

I'm not interested in cutting the feet off my characters or stretching them to make them fit my certain political view. — © Margaret Atwood
I'm not interested in cutting the feet off my characters or stretching them to make them fit my certain political view.
People talking about politics usually start from the ass end backwards in that they think you have a political agenda, and then you make your work fit that cookie cutter. It's the other way around. One works by simple observation, looking into things. It's usually called insight and out of that comes your view - not that you have the view first and then squash everything to make it fit. I'm not interested in cutting the feet off my characters or stretching them to make them fit my certain political view.
I don't use recurring characters. I do get very interested my characters while I'm working with them, and I find the process of fitting them into a story, and allowing them to create the story around themselves, fascinating. But no, I don't imagine they have a life outside of what I make for them.
Most ankle strap shoes are seriously unattractive, cutting the line of the leg as well as cutting off the circulation! Try dancing in them - your feet will look like a pair of overdone hotdogs afterwards.
... if we take the universe of 'fitting,' countless coats 'fit' backs, and countless boots 'fit' feet, on which they are not practically fitted; countless stones 'fit' gaps in walls into which no one seeks to fit them actually. In the same way countless opinions 'fit' realities, and countless truths are valid, tho no thinker ever thinks them.
'Hairspray' maybe did change people's minds, and that's how you get your political enemies to change their minds - by making them laugh and making them look at something in a way they haven't seen it. Not by preaching and cutting them off and being a separatist.
'Transparent' was huge for me when I first saw it. I felt that, from an authorial point of view, no one was trying to sell characters to us, you know? It's the idea of not having to adore these characters and want to cuddle them; you just have to be into them and their psychology and be compelled by them.
We've changed a lot of things to help certain groups of people. We widened the lane from 6 feet to 12 feet to 16 feet to make it so the big guys aren't as dominant. Well, why didn't we just say, 'You've got to learn to play against them in the post?'
I can always make things longer than I intend for them to be, but cutting things down is just brutal. It's like cutting off your fingers every time you lose a word.
I'm drawn to female characters, not all of them are strong characters. I think I'm drawn to female characters partly because they don't have as easy or as obvious a relationship to power in society, and so they suffer under social constraints or have to maneuver within them in ways men sometimes don't, or are unconscious about, or have certain liberties that are invisible to them.
I have made 34 pictures, 10 of them for Disney, and none of them for Disney were really bad characters. So I think that recently I have kind of begun to hide behind certain actor's devices in order to make a dividing line between what I used to do and the characters I have been asked to do today.
Certain people in the United States are driving nails into this structure of our relationship, then cutting off the heads. So the Soviets must use their teeth to pull them out.
It used to bother me - having bigger, fuller brows. I even plucked them once so I'd fit in, but I hated them and couldn't wait for them to grow back. Now I embrace them. I realized the quirky things that make you different are what make you beautiful.
I was always stealing 40-gallon drums off the road at night, bringing them back to the workshop and cutting them up with a gas axe because I loved to weld. I would make creatures out of these old metal drums.
There never seems to be any difficulty in stretching the laws and the constitution to fit any kind of a political deal, but when it is proposed to make some concession to women they loom up like an unscalable wall.
I'm interested in gay characters - not trying to sensationalize gay characters, just [representing] who are in my personal life. I'm interested in exploring my world and my friends, and a lot of them happen to be gay.
A lot of writers do think of their characters as living beings. I know that's the way people think. That's why I try to make them real in a certain way, because otherwise people won't read them. It's fine if some readers think of them as real. It's just not the way that I think of them.
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