A Quote by Margaret Brennan

There's really no substitute for being able to sit across from someone, have eye contact, see and read their body language, hear the inflection in their voice in a real way.
With a creature, there's no voice, so the eyes become the voice. When you get eye-to-eye contact, a real connection, it's limitless - and incredibly thrilling.
Flirting all starts with eye contact! You can tell a girl is into you if she's across the room and still making eye contact with you.
This is what magic is. It's being able to speak in a voice which makes things happen, being able to speak in a voice which causes facts to be beheld by groups of people in a way that has been purged from profane language, for us relegated to poetry and that sort of thing.
Part of being out there, campaigning, talking to people, is being able to read body language.
The deaf community relies so much on eye contact, expression and body language. It's such a huge part of who we are.
The Force is really a way of feeling; it's a way of being with life. It really has nothing to do with weapons. The Force gives you the power to have extrasensory perception and to be able to see things and hear things, read minds and levitate things. It is said that certain creatures are born with a higher awareness of the Force than humans. Their brains are different; they have more midi-chlorians in their cells.
But then you make eye contact with someone across the room and it clicks and you’re right there in love again.
My first advice would be to read, read, read, which sounds interesting coming in a digital age, but it's so much easier to listen to a poem than it is to sit down and actually read it and to hear it in your head and that is something that every poet or aspiring poet needs to be able to do, I think to hear it in their head.
It's one point to build a singing voice, but giving someone his or her own voice back is something else all together different. Imagine not being able to communicate with your voice and then having it back! It's truly a mind-blowing experience to hear that happen.
I have a big thing with eye contact, because I think as soon as you make eye contact with somebody, you see them, and they become valued and worthy.
You are not your body; you are the eye. When you see the spirit, you are free of the body. A human being is an eye – the rest is just flesh and bones. Whatever your eye sees, you are that.
What really brought out the voice that I have, my soul voice and true voice, was really not getting any work and being very sad and being poor and having to sit with that. I think that's where the blues comes from.
To hear someone talk about their life - you get to know the way their eyes moisten up, how big the smile is or how comfortable their body language is while talking to someone.
At Pinetop I just studied music, and there was no pressure to look any certain way, and so being able to sing and play guitar was enough. But when I came out to L.A., there's a whole image that you put out there and people really feed off of that because of social media platforms. And sometimes someone will see a picture of me before they hear one of my songs. It's really important to have it all figured out so that you can portray what you want people to see.
I read everything. I'll read a John Grisham novel, I'll sit and read a whole book of poems by Maya Angelou, or I'll just read some Mary Oliver - this is a book that was given to me for Christmas. No particular genre. And I read in French, and I read in German, and I read in English. I love to see how other people use language.
A woman questions the man who loves exactly as a judge questions a criminal. This being so, a flash of the eye, a mere word, an inflection of the voice or a moment's hesitation suffice to expose the fact, betrayal or crime he is attempting to conceal.
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