A Quote by Margaret Chase Smith
When people keep telling you that you can't do a thing, you kind of like to try it.
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I am running against no one. I'd like to be President. I think my experience and my record are greater than any other candidate or any other of the unannounced candidates. It's a real challenge, and that's one of the paramount things. When people keep telling you that you can't do a thing, you kind of like to try it.
I like to try to keep things as relaxed and easy as possible. I mean, movies generally attract a lot of people who like to cause fires, so they can later try to put them out. But I don't like that kind of thing.
In the UK a lot of people don't like to try. There's a different cultural thing. Here [in USA] if you try and fail, you get up again and start again and keep going. People respect you for it. Even if you keep failing, they respect the tenacity.
I'm not a go-in-for-the-kill kind of interviewer. It's a great thing to me, that kind of interviewer, but I'm not it. It doesn't play to my strengths at all. I like to interview people who are interested in telling their story and tell it as truthfully as they can.
As a father, you find yourself telling this to your kids a lot. My son, when he didn't want to play baseball, I was like, "Buddy, try it. Try playing baseball and if you don't like it, that's fine. But I want you to try it. I want you to try as hard as you can at it. And then we'll talk about it." You kind of have to give yourself the same pep talk. As a 43-year-old, you're like, "You know what? Just, try it. Try as hard as you can, give it everything you got and then accept the results."
There's this kind of war on running - people keep telling you you'll get hurt, get injured, that you need orthotics, that you need go to a special running store before you try it. There's this totally misconceived notion that it's hard to do, and it's not.
I've rarely kept my distance from kind of - I don't know if we can call it politics, but kind of, civic engagement and that kind of thing, except I tended to think, 'Well, do it yourself before you start telling other people what they should be doing.'
Any kind of dictatorship, I'm uneasy. I just don't like dictators. I don't like crowds. I don't like hordes, and I don't like other people telling me what to do. This is probably a reaction against people telling me what to do when I was a kid. I won't join any group, espouse a cause against some other people.
One thing that I think most people don't notice is that if you're sitting around telling yourself, 'I want to be happier,' there's a kind of subconscious message that you're also telling yourself at the same time, which is, 'What I have is not enough.'
I feel like my public life isn't necessarily my own. I'm starting to get used to how to maneuver and operate in New York in a way that I don't get stopped all the time. I just pretty much say "Thank you." But one of the things is to try to keep moving. Not to stop too long, because people try to get into a conversation with you all the time. The hardest thing is on the subway, or when people try to chase you down.
Because I've never made this kind of movie before, so I've never even been to Comic-Con. And Hugh and Evangeline keep telling me, 'Oh, my god... This is such Comic-Con fodder. We're going to have such a fun summer!' Is this the kind of thing they show? That length?
Canada is like a nice family living over a biker bar . . . They keep telling the downstairs neighbors to keep down the noise, people are trying to sleep.
The thing is, to try to talk about a performance that will never be seen again, that was only lived by the people there, it's kind of like telling somebody about your dream. You know if they love you they'll listen and smile, but they can't really get it, so there is a certain infinite quality to film that is nice. You do the work and you know it's always going to be there. The flip side is if you do bad work it's always going to be there.
The only thing I'll say, and I'm sure everyone says this, is stick with it. I'm not shy about telling people about the fact that my dream was to go to USC film school when I was growing up in New Jersey. I got rejected five times. You just keep going, keep going, keep going.
When you get to work with great people like on our movie, Blake and Ellen Burstyn and Harrison and Kathy Baker, Amanda Crew, the first minute or two it's like, 'Oh my God, I'm working with you,or Harrison,' people you've admired for so long, after like five minutes you realize we're all trying to do the same thing, we all have a passion for telling good stories and we're going to try to make the story the best possible.
I just kind of keep doing what I'm doing, keep plugging away, kind of hide behind closed doors sometimes, which is nice, kind of the way I'd like to keep it.
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