A Quote by Margaret Cho
I could never make a joke about somebody unless I could say it to their face and they'd laugh.
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I always laugh the hardest at the stuff you see in day-to-day life. Its great when somebody can tell a joke that really makes you laugh hard, but to see some kind of personal interaction that no one could write is so good. Those are always the things that make me laugh.
I always laugh the hardest at the stuff you see in day-to-day life. It's great when somebody can tell a joke that really makes you laugh hard, but to see some kind of personal interaction that no one could write is so good. Those are always the things that make me laugh.
If a comedian tells a joke that you find funny, you laugh. If he tells a joke you do not find funny, don't laugh. Or you could possibly go as far as groaning or rolling your eyes. Then you wait for his next joke; if that's funny, then you laugh. If it's not, you don't laugh - or at very worst, you can leave quietly.
If a comedian tells a joke that you find funny, you laugh. If he tells a joke you do not find funny, dont laugh. Or you could possibly go as far as groaning or rolling your eyes. Then you wait for his next joke; if thats funny, then you laugh. If its not, you dont laugh - or at very worst, you can leave quietly.
I can honestly say that, growing up, it never crossed my mind that I could ever make anything. I could write articles about things, which is why I wanted to be a professor. I loved watching movies and writing about them and teaching them, but it never crossed my mind that I could make something.
When I'm on stage, I'm not me playing me. I'm somebody else doing me. I could never go on stage and be like, "Hey, I'm Mike Tyson. My mother and father was in the sex industry." That's the politically correct way to say it, but I would really say, "My mother and father were pimps and whores. This is my life." I could never do that as Mike Tyson. Because I'd feel sorry for myself. But if I could be objective about it and be somebody else, portraying Mike Tyson, saying this story, then it's easy sailing.
A talented executive would be somebody who knows how to surround themselves with a lot of people that will make him look good. You could say that about a politician or you could say that about a head of a major corporation or what have you. The people you surround yourself with it's very important.
A lot of times, you could play me just the laughs from my set, and I could tell you, from the laugh, what the joke was. Because they match.
Never be afraid to laugh at yourself, after all, you could be missing out on the joke of the century.
I had to feign interest in all this nonsense until I could ask when I could come over and sit on his face. I didn't say that out loud, of course. I never say the things I really want to. If I did, I'd have no friends.
I had a show that people thought used a laugh track. It wasn't; it was the real audience going crazy after everything that resembled a joke, that they could technically call a joke.
The best way to make friends with an audience is to make them laugh. You don't get people to laugh unless they surrender - surrender their defenses, their hostilities. And once you make an audience laugh, they're with you. And they listen to you if you've got something to say. I have a theory that if you can make them laugh, they're your friends.
There is a difficulty with only one person changing. People call that person a great saint or a great mystic or a great leader, and they say, 'Well, he's different from me - I could never do it.' What's wrong with most people is that they have this block - they feel they could never make a difference, and therefore, they never face the possibility, because it is too disturbing, too frightening.
When I was working with Barry Sonnenfeld, I'd watch him set up a shot and talk to him about what he was seeing and what it was to shoot comedy. He told me that a lot of times with comedy, it's not just about getting the joke, but getting a reaction to the joke. That's the laugh - it's somebody's else's reaction to the joke.
Albert [Brooks] was rare in that he could make adults laugh. He was a prodigy. At age 15 and 16, he could make my dad laugh uncontrollably. And whenever we had parties, some of the funniest people of my generation - whether it was Billy Crystal or Robin Williams or John Belushi - would be doing shtick.
The most comical thing for me, even when I watch movies, is the guy who's so crazy confident about himself, with the mink jacket - to me, that is so funny. I wish I could be like that. As a fighter, I wish I could do that, so I could make people laugh. But I can't; it's not my style.
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