A Quote by Margaret Cho

You didn't hear Yello until later in the night in the bondage clubs. Things would start getting crazy and that's when you'd hear Yello. It was bad. — © Margaret Cho
You didn't hear Yello until later in the night in the bondage clubs. Things would start getting crazy and that's when you'd hear Yello. It was bad.
Like the Birth Of Venus, the song [Yello "oh, Yeah"] denotes the birth of the bro. The song just reminds me of bros looking out over lowered Ray-Bans. It birthed a negative sexual revolution. I was going to a lot of bondage clubs at the time and they did play this song. The song I associate more is that horrible Enigma song with the Gregorian chant. There's something good buried in that song and I might not hate it as much if I hadn't been a sex worker.
You hear as many things as you would imagine. I hear voices of people I loved once. I hear moments that took place. I hear silences.
You don't hear things that are bad about your company unless you ask. It is easy to hear good tidings, but you have to scratch to get the bad news.
Every time I hear sounds, I see pictures. Then, I start getting ideas. It just drives me crazy
When I watch Tucker's show, I hear - you're going to think I'm crazy - I hear 2024 campaign monologues. That's what I sometimes hear him doing, thinking about what is the post-Trump GOP.
I think right now is when we need to hear different voices coming out of all parts of the world. You can't just hear the politicians and the military leaders. You have to hear from the taxi drivers. You have to hear from the painters. You have to hear from the poets. You have to hear from the school teachers and the filmmakers and musicians.
Your goal is to write that masterpiece. Yello's masterpiece was "Oh Yeah." Whatever I say about the song doesn't matter, because it has a huge impact on how we remember the era.
I remember listening to Sugar Free and Jay Z and I never really understood some of the stuff they used to say until years later. Then you hear it again like, Damn that's crazy. I just got what he's talking about.
When I got old enough to go to night clubs to hear that music at the age of 15.
I feel like the older I get, the more I start to think about life in general. All the clichés that people tell you, the ones that you hear over and over and over again, there's a reason they're cliché, there's a reason you hear them over and over again, because it's all true. As much as you don't wanna hear it, it's true. You'll find out later on, like "Man, they're all right."
Where I grew up - I grew up on the north side of Akron, lived in the projects. So those scared and lonely nights - that's every night. You hear a lot of police sirens, you hear a lot of gunfire. Things that you don't want your kids to hear growing up.
It wasn't until later when people became aware of my writing that I would hear begrudgingly, 'You know, you really are a pretty good singer, I guess.'
You may hear the most beautiful things, you may hear promises, you may hear everything you want to hear but if the person you're dating is not following up with their actions then they're just words.
I don't really start writing until later in the night. I'm a night owl.
If you are hungry to hear the voice of God, you will hear. To hear, you have to cut out all other things.
Most people don't take some things into consideration. When they hear an album, they hear the artist or they hear the lyric or they hear the melody. But they don't really think about the environment in which it was recorded, which is so important. It's that thing that determines what the album sounds like.
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