A Quote by Margaret Cho
I was about 17 or 18 and there were a lot of clubs and dancing. It was the beginning of rave culture and a lot of ecstasy. Because of all the drugs, there are certain songs that make me feel high.
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I have this theory about us. When we started writing our own songs, we were 17 years old. When you're 17, you write songs for other 17-year-olds. We stopped growing musically when we were 17. We still write songs for 17-year-olds.
I think I skipped a lot of music, like when I was 17 or 18. I didn't know about a lot of new bands because I was so immersed in older music.
I think I skipped a lot of music, like when I was 17 or 18. I didnt know about a lot of new bands because I was so immersed in older music.
There's no compromise to me in what I'm doing. I'm trying to make songs that I love and make them feel a certain way and go to certain places. It just so happens that a lot of 13-year-old girls like that.
I wrote most of these songs right before the end. A lot of these songs are about that. Even if it's not direct, you can feel the beginning of the end of the breakup in these songs.
What was my dream when I was 18? My big decision when I was 18 was full keg or pony-size keg. I knew by about 16 or 17 that I was going to be an actor. That was based on the fact that there were not a lot of things that I could be really good at, or that I would enjoy enough to not run out of the building screaming.
I hadn't played any music since freshman year of college, more than thirty years ago, so I had to relearn everything. I started writing songs. Some were dance and trance songs (I listen to them a lot while I'm writing), and some were love songs, because that after all is what music is about - dancing and trancing and love and love's setbacks.
There was a lot of dancing in '76, '78, in the '80s. A lot of dancing. The burn years. A lot of dancing. And for a while, working fit in with all that. 'Moonlighting' - that wasn't acting. It was people telling me 'Let's create a character who is you, so you can play him the way you are. The guy you are at night.' It was fun.
Sometimes I make songs about girls, and I say 'he,' or I'll make songs about guys, and I say 'she,' or sometimes they're exactly what they're about. I feel like it just allows me to get a lot more perspective.
My wife and I both grew up with parents who were very young. Her mom was, I think, 17 or 18 when she was born; my mom was 15 when I was born. So, as we got older, we started thinking a lot about that - about the time that those people missed because we came along when we did and because they devoted so much of their lives to taking care of us.
I think [Ecstasy] was a really good stab. It wasn't my strongest book or my strongest material, but they wanted to make a kinda "rave culture" movie.
I find that when I get on stage now, I don't want to perform a lot of my songs because they don't feel like me. So I want to make songs that are timeless.
A lot of guys ask me, 'Why did you go straight from high school to the NBA?' So I ask them, 'If you had the opportunity to take your dream job at 17- or 18-years-old, would you do it?'
I remember the screen test for 'Gossip Girl' was on the Warner Bros. lot in Burbank. I was about 17 or 18 years old at the time. I remember driving onto the lot and going, 'Oh my God. This is surreal.'
And the thing about me is, I have a lot of mellow songs, because they're the easiest for me to write. I wanted to try to make some more upbeat songs, so, I ended up gravitating toward writing songs with friends, which was a great learning process, and also we came up with great songs. Those are the songs that came out the most naturally.
I tend to sit around with my friends a lot and rant and rave about things I think are ridiculous in the world, and I tend to make fun of myself a lot.
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