A Quote by Margaret Cho

A lot of the actresses who were around when I started, I don't know where they are. Comics stick around. — © Margaret Cho
A lot of the actresses who were around when I started, I don't know where they are. Comics stick around.
When the movies first started, audiences were dumbstruck to see actresses walking around in evening gowns. They'd never seen anything like that. They wanted to be like those actors and actresses, so the movies informed their behavior. A lot of people started drinking martinis and smoking cigarettes because they felt it was cool.
Good comics stick around. There are people who have TV shows that might be successful, but comics can't really fake it. If you say, 'Hey, I love what you guys are doing - you're funny,' then you're in. It's legit.
I tell people a lot of times, if you want to be a part of something, you never know, you kind of just have to be around. A lot of people don't really have the patience for it, and they don't stick around. Dre and I are still working together, and we have plenty of music for the future.
Since I started as a comic person then became a musician to me it was interesting because I have this really great, interesting fanbase that's really smart and energetic and uh how could I steer them towards a medium that shaped who I was? You know, steer them toward comics. That was really the goal, to bring a lot of readers cuz they were reading a lot of comics but most of them hadn't been reading American comics, they'd be reading manga sitting on the floor of a Barnes and Noble.
I hated teenagers in comics because they were always sidekicks. And I always felt if I were a superhero, there's no way I'd pal around with some teenager, you know.
My parents were U.S. Foreign Service, so I spent a lot of time you know, overseas in various countries around the world, you know, I was an American Embassy brat and today, as a professional musician, I travel all over this country and around the world.
There are a lot of people in the medium who came and got into the industry and work in the industry, and these are people who were raised on comics and loved comics. Comics are their religion. To such an extent, that they don't know anything else.
A lot of people say I am different from other actors and actresses because I don't mix around with a lot of filmy crowd.
I played a lot of nightclubs in and around Tulsa till I was about 22, 24 years old, then I started travellin' around.
I was in middle school right around the time the Bloods and the Crips started taking root in Compton and a lot of the other neighborhoods around me. I saw way too many of my peers - smart, kind, good kids - who got drawn into gangs and violence, and their futures were going to be forever scarred by that.
I used to think, if I were the Lord, I would not suffer people to be tried as they are. But I have changed my mind on that subject. Now I think I would, if I were the Lord, because it purges out the meanness and corruption that stick around the saints, like flies around molasses.
People don't last long in this game. I feel blessed that I've been able to stick around and play at a high level for my entire career, which is another hard thing to do. That's the only way you stick around - if you're out there and you're able to produce and make plays.
I think there's pressure when you're a pastor that you have to have all the answers, and if you don't, your faith is built on sand. For me, faith is about believing in those things you can't see and at times can't understand. I've been really blessed to have people who are open to that and stick around. Not everyone does stick around, though.
What comics sacrifice and what lives they live - I know that most of their lives, their adult lives, they're sitting around or walking around with notebooks, writing things down. Usually they're fairly sensitive. Usually they're very bright. And that makes them poets.
When we started out we got a lot of positive press around the single 'Step Into My World', and a lot of Radio play. The single did really well, so we were in the spotlight straight away. I obviously had my history with Ride, but I didn't want to talk about that, so all the interviews centred around how I'd had these auditions and found the band members that way. I think people felt like that was not 'for real' enough or something.
There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
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