A Quote by Margaret Cho
I don't like to criticize music and I had a really hard time picking out the song I hate for this because I end up seeing and working with musicians all the time.
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When you're working so much, it's so hard. When you do have time off, or when I had time off, rather than going out and seeing loads of people and being really sociable, I was always quite a homebody.
Like the ability of all the musicians to end the song at the right time. Or when it's time for a chord change, but nobody knows what the chord should be, and you all, you know, it all just changes, magically, at the same time. It's when you pick up your phone to call someone and that person is calling you.
The writing is really hard. You're alone. It really pulls it out of you. You pull it out of your head. But when you're a director, you're shopping - you're picking this actor, you're picking this scene. It's like the most intense kinetic high-speed shopping of all time. You sit in a chair and it will all come rushing at you like a wind tunnel.
The pause makes you think the song will end. And then the song isn't really over, so you're relieved. But then the song does actually end, because every song ends, obviously, and THAT. TIME. THE. END. IS. FOR. REAL.
Knitting is formed by a series of loops pulled through loops to the end of time or to 'desired length'. By picking up loops and working in the opposite direction you are really picking up the concavities between the loops, and it is sheer unexpected witchcraft that stocking stitch and garter stitch will permit such an anomaly. Be grateful for this and don't expect anymore.
I was starting to play the ukulele at the same time I was having all these conversations with [the late Ramones guitarist] Johnny Ramone, these intense tutorials staying up late and listening to the music he grew up on, and picking up what's a great song and what makes a great song. He was all about lists and dissecting songs, like what's a better song by Cheap Trick: "No Surrender" or "Dream Police"? Sometimes you'd be surprised by the answer. It was an interesting dichotomy between hanging out with the godfather of punk rock and starting to play the ukulele. They came together.
Music is a spiritual expression of what's in your heart. Music as a way of getting rich is a pretty new thing, and I often wonder if the mega-bucks glitzy atmosphere is making the quality of music suffer. You have to work really hard to get around that and remember why you're in it in the first place: because you have to be. It's like an addiction. You can't go a day without picking up your guitar. To me, the only commercial goals that are really valid are, 'Boy, I wish I didn't have to go to work. I wish I could do this all the time.'
I hate to say that my mother was 'just a housewife', because in addition to that she has had lots of part-time secretarial jobs in factories and hospitals, always working really hard for our family.
I don't have a family that grew up singing and playing all the time. I didn't really have anything to judge my abilities against until I got out into the professional world and met other professional musicians. All I had was my own way of arriving at a song. That was it.
I feel like every time I write a song, it feels like the first time I wrote a song. It's just as hard. It doesn't get easier, but that's why I love it: because it's a challenge every time.
I think the best thing an artist can do is not hang out with other artists. I really dislike hanging out with musicians, for the most part, except for a few select friends, because I don't like to talk about music all the time.
There was a time in the 1980s when music was almost over. If you think about it, it will be tough for you to remember any song which came during that time. But now music has come back. There are amazing musicians like Vishal-Shekhar, Amit Trivedi, Sneha Khanwalkar who are doing a good job.
The studio is really fun because I don't make it into the studio unless I've got something I really like. I love working with different musicians in the studio; that's a real joy, working with someone for the first time.
Just listening carefully to what the musicians are really doing, putting the music in the right time... I became aware of the degree to which time, and therefore duration, was important in music and in art. It had a direct influence on my painting.
I feel like every time I write a song, it feels like the first time I wrote a song. It's just as hard; it doesn't get easier, but that's why I love it: because it's a challenge every time. I also feel like I'm learning new ways.
Music will always be apart of my life, I have been given a gift of song and voice and I have to use it. I don't have a mapped out time when I should hang up my mic because what I may think is my time may very well be a time to continue.
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