A Quote by Margaret Cho
It makes it very hard to say what you believe in and not be attacked for it. And it's not fair; I'm Korean, but I'm not supposed to talk about my experience and my life? It's unaccepting.
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Everyone knows that life isn't fair. Saying it's not fair suggests that you think life is supposed to be fair, which makes you look immature and naive.
I was on an army show, and in the army - especially in Korean culture - there's a very, very strict hierarchy. Obviously, you would not talk informally or disrespectfully to your commanding officer. But me, in my limited Korean, I basically told my commanding officer, 'Thou shalt forget!' The Korean public thought it was really funny.
Jesus doesn't say, "The religion founded in my name is the way, the truth, and the life, [and] what people say about me is the way." "Our way of worship, the Christian structure, is not the way," [he would say,] "I am. I am. If you want to know what life is all about, what it's supposed to be, where it's supposed to go, where it's supposed to derive its strength from, don't look at anything people say about me. Don't look at the faith that's been created. Look at my life, which is a life ultimately of sacrificial love."
The best compliment we ever got about the show was from a Korean veteran who was unable to talk about his war experience with his wife until 'M*A*S*H.' While watching the show, he was able to lean over to his wife and say, 'See, honey, that's the way it was.'
When I do an Asian character or an Asian voice I'm doing one because that's my heritage and my family and where I come from. My family is of Korean descent and specifically North Korean descent. So it makes sense for me to talk about that issue because it's the only weapon I have to somehow avenge my family and my history.
It's so hard for me to talk about this, because I owe my life to 'Dancing with the Stars.' They've changed my life completely. They're my family and it's always hard to say goodbye.
I believe in talent. I know you're not supposed to believe in that anymore because you're supposed to believe if you just work hard you can do anything. That's how you succeed, maybe. But talent is something you're born with. You cannot acquire it by working hard, and you cannot lose it by lying around either.
A South Korean teenager, 18-year-old male, is about five inches taller than his North Korean counterpart. And there are many soldiers who are only about 4'6". The height requirement is supposed to be 4'9". That's the size of my 12-year-old son.
This is going to sound cliché perhaps, but I would say to not second-guess yourself. It's difficult to talk about because gender does play into directing, of course, but it's very hard to talk about. Maybe the worst part is what you internalize.
In China, it was hard living as a young girl without my family. I had no idea what life was going to be like as a North Korean refugee. But I soon learned it's not only extremely difficult, it's also very dangerous, since North Korean refugees are considered in China as illegal migrants.
It's very hard to look in the mirror. We all know this. It's much easier to have illusions about yourself. And in particular, when you think, well, I'm going to believe what I like, but I'll say what the powerful want, you do that over time, and you believe what you say.
But I believe in fair trade, and I will tell you, I have many, many friends heading up corporations, and people that do just business in China, they say it's virtually impossible. It's very, very hard to come into China. And yet, we welcome them with open arms.
If the movie is terrible you can have fun. You can joke about it and have a ball. The movie is already sort of established as a kind of extraordinary piece of work even though it hasn't opened yet to the public. It is harder because you can't go against it and you can't be interesting. You have to go with the flow. Although one is very happy to be in it, it is sort of hard to talk about it. It is hard to talk about successful. It is much easier to talk about failure.
It's hard to talk about childhood trauma. It's hard to talk about depression. It's hard to talk about anxiety. And we thought - I wonder if we just open up our subconscious and the things that we think about and hide from people every day and just let them come out in some of these lyrics.
I don't like to just talk of Africa, and south of the Sahara in general. No, I'll talk about the Third World in general. I'll like to say this - we in the United States would never believe that another form of goverment - I don't care even if it's against the racism, etc. - it is hard to get the masses of people to believe or accept that a socialist government will relieve them of most of the problems.
There are a lot of ways to talk about the life of a photograph. You can talk about the afterlife of a photograph, and in the end I talk about that, with the Richard Prince picture. But mainly, what I dedicated the book to being about was how photographs begin their life, and where they begin it. And they begin it with the photographer's imagination and instinct and experience.
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