A Quote by Margaret Cho

My parents never really had that much money, so I kind of live in the same world that they do. — © Margaret Cho
My parents never really had that much money, so I kind of live in the same world that they do.
I saw my parents come over. They were immigrants, they had no money. My dad wore the same pair of shoes, I had some ugly clothes growing up, and I never had any privileges. In some ways, I think the person that I am now, I think it's good that I had that kind of tough upbringing.
What I really had was stories, the oral traditions of my parents. We moved so much that that was really our encyclopedia. A dream world told to me from my parents in the living room.
'The Empty Bank' talks about really specific instances where I kind of make the wrong moves based off of money, and it also details instances where I was acting like I had money when I really didn't have that much money.
I didn't really care about money. I really wanted to follow my bliss. I really wanted to do the things that would make my life satisfying, in the fullest sense, and I was never thinking about money when I made those decisions. And I certainly didn't want my life to be driven by money. I'd seen my father's' life driven that way, and, although again, in retrospect, I understand fully why he did that, I didn't wanna live looking for that kind of financial reward. I wanted to live with the emotional, psychological, and even moral reward of doing the kind of work I do, which is, y'know, writing.
If I had a dream it would be to think, What would it be like for everybody to have the kind of health care I had? What would that feel like? How would that be, to live in that world? Because I'll tell you, to be really, really sick, and to not have money. That is terrifying. And in my opinion, a travesty.
You really don't need leverage in this world much. If you're smart, you're going to make a lot of money without borrowing. I've never borrowed a significant amount of money in my life. Never. Never will. I've got no interest in it.
No matter what I do, how much money I make, where I live, or what kind of car I drive, the stuff I skateboard on is the same stuff that every other kid in L.A., every kid in the country, everybody in the world is skateboarding on.
Stealing money from your parents - I feel like I did that a lot and I now know as an adult that your parents knew how much money they had. Nobody was being fooled.
I've never fancied that footballer lifestyle. I suppose I could live that kind of flash life. People stereotype child actors and kind of expect you to go off the rails a bit, be a bit crazy, but that's not really happened yet. I've got a big family so that helps, and they live really close to the studios so it's just so much easier.
I feel despised there, for having so little money; also for once having had so much. I never actually had it, of course. Father had it, and then Richard. But money was imputed to me, the same way crimes are imputed to those who've simply been present at them.
I don't know what to think of the money. It's kind of mind-boggling. I come from a middle-class, blue-collar family. We've never really had money.
But this post-college world felt different from everything that had come before it; art was still central, but now everyone had to think about making a living too, and they did so with a kind of scorn for money except as it allowed them to live the way they wanted to live.
I see the experience of pictures as a kind of cycle, a kind of circular motion in which you're in the world, then you enter the picture and you're in a different world (it's not the same as the one you live in, but recognizable as one you might live in). And then you're returned to your world with an enlarged sense of its possibilities.
To be honest, I've always had far too much freedom. I had a job when I was 10. I started living on my own when I was 17 or 18. I've earned my own money; I've traveled the world. What would I rebel against? I've had so much freedom, sometimes it was hard. My parents wanted to protect me, but they had no idea how to. I had to learn as I went and make my own mistakes. I went from being totally unknown and never acting professionally to being in a major movie and being very famous. It all happened so quickly, I didn't have any time to work things out. It's been pretty scary at times.
My parents came from Calcutta. They arrived in Cambridge, much like the parents in my novel. And I found myself sort of caught between the world of my parents and the world they had left behind and still clung to, and also the world that surrounded me at school and everywhere else, as soon as I set foot out the door.
I've never had a very closely connected family. My parents split up when I was young and I was living with my mom for a little while, then I was kind of just on my own really young. It wasn't some kind of global tragedy, it was just never really a very close-knit family. So there was support in the sense that they didn't stand in my way.
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