A Quote by Margaret Cho

I didn't appreciate the young woman that I was, or my young beauty, because I was so obsessed with the fact that I felt fat. It's never good to add to anybody else's suffering. It's an important topic to really get the gravity and the importance of - dealing with dignity.
It's so self-evident that I have to live my own history, to remind people the fact that I got into radio back in the early '80s was because of AIDS and HIV. It was what motivated me - that was the topic that I felt was so important that I had to talk about it, educating young people about it.
The biggest piece of advice that I give young comedians is: If it's your goal to get where I'm at, go do something else. Because you'll never get here. Never. The odds are so bad. Because not only do you have to be a really, really strong comedian but you also have to be lucky. And most people don't get that combination.
Drama is based on the Mistake. I think someone is my friend when he really is my enemy, that I am free to marry a woman when in fact she is my mother, that this person is a chambermaid when it is a young nobleman in disguise, that this well-dressed young man is rich when he is really a penniless adventurer, or that if I do this such and such a result will follow when in fact it results in something very different. All good drama has two movements, first the making of the mistake, then the discovery that it was a mistake.
I've always felt like an artistic person. I can't draw or paint or sculpt. I never really had technical skills, but I've always felt like I appreciate really beautiful things, and part of taking a good photograph is being able to recognize beauty.
It was really cool because you can tell that she directs in a way that she wants to be spoken to, as an actress. That's really nice, and you appreciate that. Dealing with the actors was more important to her than anything else, which was really nice.
I am not and will never again be a young writer, a young homeowner, a young teacher. I was never a young wife. The only thing I could do now for which my youth would be a truly notable feature would be to die. If I died now, I'd die young. Everything else, I'm doing middle-aged.
I did an internship with Dove when they were doing the 'real beauty' campaign, and I was really inspired by that. Growing up in L.A., being a young woman, and seeing how the media tells young women to be everything you're not, I kind of wrote about that experience.
I never really felt free to talk a lot about my family life because I don't want to sacrifice anybody else's privacy. If you look through the archives, you will see, for example, no pictures of my children. That is not because I don't love them. I think I've been a really good dad; at least, I try to be.
The desirable virgin is sexy but not sexual. She's young, white, and skinny. She's a cheerleader, a babysitter; she's accessible and eager to please (remember those ethics of passivity!). She's never a woman of color. SHe's never a low-income girl or a fat girl. She's never disabled. "Virgin" is a designation for those who meet a certain standard of what women, especially young women, are supposed to look like. As for how these young women are supposed to act? A blank slate is best.
The young women who attract so much attention never change: They are all stupid. They have at best only the crudest notions of their own power, and never calculate motives or consequences. Giving a young woman a young woman's body makes as much sense as giving ten teenagers Lamborghinis and telling them to drive in figure 8s around a parking lot.
When I see a lot of young faces in the audience, it's just sort of sinking in how important that is. Because you're old enough now to identify them very strongly as being young - whereas before, of course they were young, because you were young. Now it's not like that.
As a young woman, I was disturbed by the fact that there was no imagery that truly expressed the experience of a young woman and the challenges and turbulence we go through. All we had were teenage magazines like 'Cosmopolitan,' which are very one-sided and show an objectified view of women.
I'm not a scientist, I was not a good science student, I felt effectively alienated from science throughout my young life, and it was only when I became an adult that I began to really appreciate from a completely different angle the power of science.
I was proud to be the first woman to serve as the No. 2 in the Clandestine Service. It is not my way to trumpet the fact that I am a woman up for the top job, but I would be remiss in not remarking on it - not least because of the outpouring of support from young women at CIA who consider it a good sign for their own prospects.
From a young age, I was a pretty good listener, a strong lady. Maybe it helped me that I never felt intimidated by anybody. Even at school, I was always strong. I believed in myself, in what I do.
It's important that the adults appreciate that young people are capable of doing really astounding work.
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