A Quote by Margaret Deland
we middle-aged folk have the education of life, truly; we know the multiplication table of anxieties and sorrows, the subtraction table of loss, the division table of responsibility.
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We separated like oil and water. In the cafeteria, you'd see a table of black jocks, table of white jocks, table of rich white kids, table of Hispanic kids, table of Chinese kids, table of druggies, table of chatterboxes, and so on. Wait! There's a diverse table over there! With a few kids of different tenacities and economic status! Oh, that's the nerds. That's where I sat. We weren't cool enough for the other tables, so we didn't discriminate against anybody.
I grew up with 'Life' magazine on the coffee table, Life cereal on the breakfast table, and the game of Life on the card table. People were just so happy to be alive, I guess.
God calls all of his children to the table. We can disagree and even say a lot of hateful things, but what we can't do in good conscience is leave the table. Or demand that someone else not be at the table.
All I needed was a steady table and a typewriter...a marble-topped bedroom washstand table made a good place; the dining-room table between meals was also suitable.
While the impressionists make a table to give one particular moment and subordinate the life of the table to its resemblance to this moment, we synthesize every moment (time, place, form, color-tone) and thus build the table.
Everybody is welcome to come to dinner, but there's going to be the adult table and the kids' table. Whiny people who want to throw food and make noise and interrupt and be rude and act like children, they can sit at the kids' table.
My kids learned to color on this table. There's been a lot that's went around this table. Waylon Jennings sat right there in that chair and showed Miley the chords to 'Good Hearted Woman.' Sitting in that chair. This table's a bit like life. It's a circle. And I believe everything in life is a circle. You come into this world a little teeny wrinkled-up fetus
At Murry Bergtraum [High School] if you were really funny you sat at this table at with all of the funniest dudes, the toughest, the coolest - everybody sat at that table. It was like the ghetto Algonquin Round Table. [Comedy] was my entry, my membership card.
The Premier League is always like that - you never know what can happen! Even at the top of the table and bottom of the table.
I have this table in my new house. They put this table in without asking. It was some weird nouveau riche marble table, and I hated it. But it was literally so heavy that it took a crane to move it. We would try to set up different things around it, but it never really worked. I realized that table was my ego. No matter what you put around it, under it, no matter who photographed it, the douchebaggery would always come through.
A labourer cannot sit at the table and write, but a man who has worked at the table all his life can certainly take to physical labour.
My husband is Dutch, and his family, when you sat down to eat food at the table, you never left the table until you ate living bread and drank living water. They never left the table until they'd read Scripture together. So morning, lunch, suppertime, Scripture was always read at the table, and then there was prayer to close.
Everywhere in the universe, the periodic table has the same basic structure. Even if an alien civilization's table weren't plotted out in the castle-with-turrets shape we humans favor, their spiral or pyramidal or whatever-shaped periodic table would naturally pause after 118 elements.
The dining room in my old house was truly magnificent, but by far the worst room for conversation. I'd get up from the table, a very long table, and somebody would always say, Paul, I never got to talk to you.
That execution will take place here." She runs her fingertips over the table beneath her. "On this table. I thought it would be interesting to show you." "I knew what would happen when I came here," I say. "It's just a table. And I'd like to go back to my room now.
There's an attitude that I have where I bring the art to the table and the writer brings the writing to the table, but neither of us brings the story to the table. The story is something that only happens with the combination of both of us.
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