A Quote by Margaret Deland

silence is very moving to youth, for who knows what it hides? — © Margaret Deland
silence is very moving to youth, for who knows what it hides?
Flowers are the bright remembrances of youth; they waft us back, with their bland odorous breath, the joyous hours that only young life knows, ere we have learnt that this fair earth hides graves.
Culture hides more than it reveals, and strangely enough what it hides, it hides most effectively from its own participants.
Culture hides much more than it reveals, and strangely enough, what it hides, it hides most effectively from its own participants.
Silence, yes, but what silence! For it is all very fine to keep silence, but one has also to consider the kind of silence one keeps.
Silence hides nothing. Words conceal.
There was only silence. It was the silence of matter caught in the act and embarrassed. There were no cells moving, and yet there were cells. I could see the shape of the land, how it lay holding silence. Its poise and its stillness were unendurable, like the ring of the silence you hear in your skull when you're little and notice you're living the ring which resumes later in life when you're sick.
The ravaged face in the mirror hides the enchanting youth that is the real me.
It is very hard to live with silence. The real silence is death and this is terrible. To approach this silence, it is necessary to journey to the desert. You do not go to the desert to find identity, but to loses it, to lose your personality, to be anonymous. You make yourself void. You become silence. You become more silent than the silence around you. And then something extraordinary happens: you hear silence speak.
The postmodern reply to the modern consists of recognizing that the past, since it cannot really be destroyed, because its destruction leads to silence, must be revisited: but with irony, not innocently. I think of the postmodern attitude as that of a man who loves a very cultivated woman and knows he cannot say to her, I love you madly, because he knows that she knows (and that she knows that he knows) that these words have already been written by Barbara Cartland. Still, there is a solution. He can say, As Barbara Cartland would put it, I love you madly.
Silence is the language of Om. We need silence to be able to reach our Self. Both internal and external silence is very important to feel the presence of that supreme Love.
In his heart every man knows quite well that, being unique, he will be in the world only once and that no imaginable chance will for a second time gather together into a unity so strangely variegated an assortment as he is: he knows it but hides it like a bad conscience.
I do not regret my youth and its beliefs. Up to now, I have wasted my time to live. Youth is the true force, but it is too rarely lucid. Sometimes it has a triumphant liking for what is now, and the pugnacious broadside of paradox may please it. But there is a degree in innovation which they who have not lived very much cannot attain. And yet who knows if the stern greatness of present events will not have educated and aged the generation which to-day forms humanity's effective frontier? Whatever our hope may be, if we did not place it in youth, where should we place it?
Because love is dangerous, insecure.... And nobody knows where love will lead. It is just like a cloud - moving with no destination. Love is a hidden cloud, whereabouts unknown. Nobody knows where it is at any moment of time. Unpredictable - no astrologer can predict anything about love. About marriage? - astrologers are very, very helpful; they can predict.
Anyone who knows me knows that I always like to keep moving.
After one has been in a lowly position, one knows how dangerous it is to climb to a high place, Once one has been in the dark, one knows how revealing it is to go into the light. Having maintained quietude, one knows how tiring compulsive activity is. Having nurtured silence, one knows how disturbing much talk is.
As with most great communicators, God knows that the point of silence and the pause between sentences is not to give the audience the chance to fill the silence with empty babbling but to help create more depth to the conversation.
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