A Quote by Margaret Drabble
Novels, since the birth of the genre, have been full of rejected, seduced, and abandoned maidens, whose proper fate is to die.
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My novels are in the literature section as opposed to the romance section of bookstores because they're not romance novels. If I tried to have them published as romances, they'd be rejected. I write dramatic fiction; a further sub-genre would classify them as love stories.
My resolve to die was not the whim of an hour. It was the ripe, sound fruit that had slowly grown to full size, lightly rocked by the winds of fate whose next breath would bring it to the ground.
They had rejected the soul-body dichotomy, with its two corollaries: the impotence of man's mind and the damnation of this earth; they had rejected the doctrine of suffering as man's metaphysical fate, they proclaimed man's right to the pursuit of happiness and were determined to establish on earth the conditions required for man's proper existence, by the "unaided" power of their intellect.
War has always been a part of science fiction. Even before the birth of SF as a standalone genre in 1926, speculative novels such as 'The Battle of Dorking' from 1871 showed how SF's trademark 'what if' scenarios could easily encompass warfare.
I now bid farewell to the country of my birth - of my passions - of my death; a country whose misfortunes have invoked my sympathies - whose factions I sought to quell - whose intelligence I prompted to a lofty aim - whose freedom has been my fatal dream.
I would be rejected if I submitted any of my novels as romance novels.
When I look at life I try to be as agnostic and unmetaphysical as possible. So I have to admit that, most probably, we do not have a fate. But I think that's something that draws us to novels - that the characters always have a fate. Even if it's a terrible fate, at least they have one.
I grew up on genre - on Westerns, spy thrillers, sci-fi, fantasy novels, horror novels. Especially horror novels.
Since the issues surrounding President Obama's birth certificate began during his campaign in 2008, I have rejected the notion that he is anything other than American.
As to the number of novels I've abandoned... I shudder to think. I have thrown away five completed novels, and that's a gruesome enough figure. But not necessarily a waste of effort.
Total oblivion is the fate of almost everything in this world. I'm very likely to suffer that same fate; my work will probably not be remembered, and if any of it is, if any of those novels is fated to be one of those novels that is still being read 50 or 100 years after it was written, I've probably already written it.
Endless longing; a face you'd known since childhood, since birth almost; a body that moved as though it were your own. These were things you never spoke of, things you never hoped for; things you could never admit to. Things you'd die for, and die of.
Maidens who stay maidens turn into saints. Old women become sorceresses. Tough jobs, both of these.
In one point the plan was fatally defective, since it involved the deadly enmity of a race whose character and whose power were as yet but ill understood,--the fiercest, boldest, most politic, and most ambitious savages to whom the American forest has ever given birth.
Since my romance novels had all been thrillers as well, it wasn't such a leap for me to move into the straight thriller genre. The most difficult part, I think, was being accepted as a thriller writer. Once you've written romance, unfortunately, critics will never stop calling you a 'former romance author.'
There's no denying that the way horror has been packaged in the past has done it no favours. Lurid black covers adorned with skulls, corpses crawling with insects and scantily clad maidens being chewed into by vampires -- all good clean fun, but it doesn't do much to give the genre an air of respectability or seriousness to the casual browser.
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