A Quote by Margaret Fuller

Artists are always young. — © Margaret Fuller
Artists are always young.
Insecurity prevents young artists from 'flying' and older artists from being 'down to earth.' Young artists should work on their confidence and the older ones on their humility.
I guess people don't think that young girls or young artists have opinions, but I'm so glad that there's artists like Lorde and Raury and Kehlani because they're showing other people that young people can have an opinion and a voice and do really well with it. I'm glad I can be one of those people.
I always want to be doing both to travel as a teacher and lecturer, and to be a musician. I think in this generation institutionalizing the art form and spreading it to the younger generation through education is really important for all artists to have some hand in. Right now in popular culture and the mainstream, it's not a big part at all. I think education by young artists talking to young people, not just older people talking to young people, it gives an experience never felt before. I think over the years it will do a lot for the music.
I've always tried to - when I've been able to - support young artists, no matter what medium.
The biggest thing is education for young chefs and how they should focus on one cuisine rather than trying to imitate too many. It's like art - you can see the cycles from many past artists and new artists being inspired by past artists.
I always want to encourage young artists. As the budgets get smaller, that might provide an opening for younger artists and more experimentation. Budgets had gotten quite large for art, as they had for architecture. I'm not going to cut back. The minute someone walks through my door, I go, "That's my thing and you got to let me do it."
I think young artists are always inspiring because they are coming at worlds from a different point of view.
My thing is, you have to let young artists be young artists.
I have always said to young artists that scholastic training and the studying of art history are crucial to fully developing as an artist.
So it's a majorly important thing for young artists, as well as older artists like myself, to know that not only do we have the right to say no, but if we don't say no, we're gonna die.
I hope my work has inspired young artists. I have always tried to maintain my freedom as an artist and I feel it is one of the main reasons I have been successful.
I don't think people are terribly interested in young artists who were doing interesting thing, but I don't think people are terribly interested in young artists.
In the early eighties, there were a lot of artists involved with the music scene. All those young artists, before their careers took off, were into music. Robert Longo used to play some guitar. He had a band for a while. Basquiat had a band. I mean, people were always trying to mix music and art - in fact, I'm guilty of it myself.
I've always associated consciousness with artists like Bob Marley or Joni Mitchell or Bob Dylan. You know, artists that really talked about what was going on in the world and really artists that are timeless.
I've worked with jazz artists, country artists, classical artists, pop artists. I never wanted there to be categories, because when I was a kid there weren't.
People who are artists professionally are not artists because they want to be artists; they have to be artists. They're compelled to get that creativity out and to share that with others.
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