A Quote by Margaret Fuller

Next to invention is the power of interpreting invention; next to beauty the power of appreciating beauty. — © Margaret Fuller
Next to invention is the power of interpreting invention; next to beauty the power of appreciating beauty.
The critic is beneath the maker, but is his needed friend. The critic is not a base caviler, but the younger brother of genius. Next to invention is the power of interpreting invention; next to beauty the power of appreciating beauty. And of making others appreciate it.
Every time we make a new invention, we think we're going to save the world, but eventually, we understand that the real virtues of that new invention have mostly to do with commerce. Then we feel a huge emptiness, and we want to fill it with beauty.
For the first fourteen years for a rod they do while for the next as a pearl in the world they do shine. For the next trim beauty beginneth to swerve. For the next matrons or drudges they serve. For the next doth crave a staff for a stay. For the next a bier to fetch them away.
Such power!" Adelaida cried all at once, peering greedily at the portrait over her sister's shoulder. "Where? What power?" Lizaveta Prokofyevna asked sharply. "Such beauty has power," Adelaida said hotly. "You can overturn the world with such beauty.
Next to possessing genius one's self is the power of appreciating it in others.
The power of association is stronger than the power of beauty; therefore, the power of association is the power of beauty.
Beauty is for the artist something outside all orders of rank, because in beauty opposites are tamed; the highest sign of power, namely power over opposites; moreover, without tension: - that violence is no longer needed: that everything follows, obeys, so easily and so pleasantly - that is what delights the artist's WILL TO POWER.
The greatest invention of the nineteenth century was the invention of the method of invention.
Invention is not enough. Tesla invented the electric power we use, but he struggled to get it out to people. You have to combine both things: invention and innovation focus, plus the company that can commercialize things and get them to people.
We sometimes forget that human invention can also be a subject of human invention: that might seem a modern notion, or a postmodern one, but novelists have taken time - sometimes time out from their realist fixations - to source and satirise the speech and power we rely on.
Innovation is not a big breakthrough invention every time. Innovation is a constant thing. But if you don't have an innovative company [team], coming to work everyday to find a better way, you don't have a company[team]. You're getting ready to die on the vine. You're always looking for the next innovation, the next niche, the next product improvement, the next service improvement. But always trying to get better.
I think it's the idea that beauty could be power, and that with power comes immortality, and with power comes control, and all of these other things are blocking her heart.
In other words, what is supposedly found is an invention whose inventor is unaware of his act of invention, who considers it as something that exists independently of him; the invention then becomes the basis of his world view and actions.
I was watching the Nina Simone documentary alone in my room, and I said out loud to myself, 'Why do we not know that this woman is beauty? She is beauty! Why did no one tell me this growing up? Why was her name not next to 'beauty' in the dictionary?'
Art is beauty, the perpetual invention of detail, the choice of words, the exquisite care of execution.
Stumbling upon the next great invention in an 'ah-ha!' moment is a myth.
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