A Quote by Margaret Fuller

I am suffocated and lost when I have not the bright feeling of progression. — © Margaret Fuller
I am suffocated and lost when I have not the bright feeling of progression.
I am not yours, nor lost in you, not lost, although I long to be. Lost as a candle lit at noon, lost as a snowflake in the sea. You love me, and I find you still a spirit beautiful and bright, yet I am I, who long to be lost as a light is lost in light.
I go out and I say and do what I want - even if people may find that shocking. One could, of course, decide to be suffocated by all the pomp here in Élysée Palace. But if you decide to resist it, then you won't be suffocated.
There is a natural progression to 'Lost,' and as the story goes forward, it's going to change. It's not a static story. The franchise of 'Lost' is not characters sitting on a beach.
Blur' is about feeling lost, and on a personal level I would be lying if I didn't mention that this song, for me, was about feeling creatively and artistically lost in the city of all great opportunities, Los Angeles.
So, yeah, I mean, there is something universal about that feeling - that 20-something, what the hell am I going to do with my life, I'm lost and my parents are freaking me out, and what's the point? Every generation has a way of making that unique, but there are certain universals of that feeling.
I AM is a feeling of permanent awareness. The very center of consciousness is the feeling of I AM. I may forget who I am, where I am, what I am, but I cannot forget that I Am. The awareness of being remains, regardless of the degree of forgetfulness of who, where, and what I am.
I always, at least back then, struggled with emotion in writing. I felt like I could do odd, unusual things, but there wouldn't be enough feeling in them, and maybe if there's a progression at all to anything that I've done it's that I've always wanted to have a high - an almost overwhelming - degree of feeling in what I write.
My brother was older, very bright. He went to university. I wasn't academically bright - maybe at first, when I was little, but it was lost. I started doing a drama workshop and got really into it, then I did a BTec in performing arts and started to work.
I think for comedians, acting is their natural progression. It's all about progression.
We live in a bubble of progression, and over the last eight years [of Barack Obama], we've been a country of progression.
I think, for myself, as an artist, the progression is a lyrical progression and what I choose to target my lyrics at and how I construct the rhymes.
I don't harp on the negative because if you do, then there's no progression. There's no forward movement. You got to always look on the bright side of things, and we are in control. Like, you have control over the choices you make.
Wherever I go, people want to come and meet me. At times, I feel a bit suffocated too, as I am unable to be normal and myself.
Chord progression is progression of emotions; storytelling - taking one person from one mood to the next. We are doing the same thing within a DJ set.
Adam is crying and somewhere inside of me I am crying, too, because I'm feeling things at last. I'm feeling not just the physical pain, but all that I have lost, and it is profound and catastrophic and will leave a crater in me that nothing will ever fill.
The greatest feeling you can get in a gym or the most satisfying feeling you can get in the gym is the pump. It feels fantastic. It's as satisfying to me as cumming is, you know, as in having sex with a woman and cumming. So can you believe how much I am in heaven? I am like getting the feeling of cumming in the gym; I'm getting the feeling of cumming at home; I'm getting the feeling of cumming backstage; when I pump up, when I pose out in front of 5000 people I get the same feeling, so I am cumming day and night. It's terrific, right? So you know, I am in heaven.
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