A Quote by Margaret Haddix

I like the fact that kids are willing to be imaginative and go along with me when I'm telling strange tales. — © Margaret Haddix
I like the fact that kids are willing to be imaginative and go along with me when I'm telling strange tales.
I am not sure how much good is done by moralising about fairy tales. This can be unsubtle - telling children that virtue will be rewarded, when in fact it is mostly simply the fact of being the central character that ensures a favourable outcome. Fairy tales are not, on the whole, parables.
I don't know if you've ever been skiing, but if you go to the slope you'll see all these kids fearlessly zooming by. It's only when we get older that fear creeps in. But for me, it just never has. And when it comes to racing, it's always about who is willing to go further, who is willing to take that extra step. I'm willing to take any amount of pain to win. I'm hungry like you.
Fairy tales have always been about getting through the worst of everything, the darkest and the deepest and the bloodiest of events. They are about surviving, and what you look like when you emerge from the trial. The reason we keep telling fairy tales over and over, that we need to keep telling them, is that the trials change. So the stories change too, and the heroines and villains and magical objects, to keep them true. Fairy tales are the closets where the world keeps its skeletons.
[Fairy tales] are like a journey to the woods and the many ways you can get lost. Some people say it's not a good idea to read fairy tales to anyone under the age of eight because they are brutal and raw. When I was a kid I often felt that kids's books were speaking down to me, but I never felt that way about fairy tales. They are bloody and scary, but so is life.
Fairy tales are my natural language. I feel at ease telling fairy tales like a fish feels in water. I am totally free.
I had a story-telling mother; she's written novels and short stories. So I feel like maybe I'm staying alive by telling tales.
The actor shouldn't edit themselves or be anxious. And the actors that I admire are always the ones who are inventive and their imaginative life in free-willing. It's a director's job to go, "No here, don't do that, go there."
Definitely they write themselves. It's an amazing experience. It's like the characters have come alive and are sitting on my shoulder talking to me, telling me their tales.
The whole concept of 'grounding' children is utterly stupid - they just go off and rebel and don't like you. When my kids eventually come along, I don't want them to not like me.
Writing imaginative tales for the young is like sending coals to Newcastle. For coals.
I don't follow trends. I'm a trendsetter. I represent all the younger generations; fly kids, creative kids - they look up to me. I got a program that's called ROAR. I go to all high schools everywhere we go, and I talk to all the kids, and I give away 30-35 tickets and passes to the kids doing good in school. Stuff like that means a lot to me.
Abraham Lincoln would have been happy to have solved the slavery problem by compensation - in fact, drew up a gradual, compensated emancipation plan as early as November, 1861 - but no slaveholders were willing to go along with it.
In spite of the fact of my dad telling me that if I did well, I could go to the military, I said, 'No, I want to go to college.'
What I like about fairy tales is the language and the matter-of-fact way of introducing magic, where it's accepted that a fox could talk or a gate could just appear in a wall. I think fairy tales are so psychological.
On the spectrum of imagination, there are people who are more imaginative than others - I guess some kids are hardcore pretenders and have imaginary friends for years and other kids play and they have fun, but it's not quite as specific like that.
Science fiction is a way that I can go into the abstract, go into the imagination, and audiences are still willing to go along for the ride.
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