Common sense is not something rigid and stationary, but is in continuous transformation, becoming enriched with scientific notions and philosophical opinions that have entered into common circulation. 'Common sense' is the folklore of philosophy and always stands midway between folklore proper (folklore as it is normally understood) and the philosophy, science, and economics of the scientists. Common sense creates the folklore of the future, a relatively rigidified phase of popular knowledge in a given time and place.
In more recent years, I've become more and more fascinated with the indigenous folklore of this land, Native American folklore, and also Hispanic folklore now that I live in the Southwest.
People give me money and I don't know why, my real collection plate is an empty cup held by a homeless guy.
Their term project consists of a fieldwork collection of folklore that they create by interviewing family members, friends, or anyone they can manage to persuade to serve as an informant.
Historyis nothing other than a collection of the lives of people, some of them great, some of them ordinarynothing other than a collection of what people have done in challenging circumstances and how they have risen to those circumstances.
I think that's really the beauty of life, like, we're this collection of moments, this collection of experiences that we've had, or little tics that we've stolen from other people, it's like we're this amalgamation of all of that.
In my introductory course, Anthropology 160, the Forms of Folklore, I try to show the students what the major and minor genres of folklore are, and how they can be analyzed.
Folklore used to be passed by word of mouth, from one generation to the next; that's what makes it folklore, as opposed to, say, history, which is written down and stored in an archive.
Folklore used to be passed by word of mouth, from one generation to the next; thats what makes it folklore, as opposed to, say, history, which is written down and stored in an archive.
If you saw my musical collection it's absolutely horrendous, I've got everything from Stockhausen to The Beach Boys to Gina G, all sorts of terrible things and other people come here and look at my record collection and go, "Ah, you can't possibly like that - how embarrassing!"
Some of the stories in Dogwalker were written as long as four years ago, but I wouldn't say I've been working on this collection for four years. I have always been a little unsure of whether I could make it as a writer so I've held other jobs and worked on other projects this whole time.
In the same way, I can wake up with a very positive idea of what I want to do for my collection, and be completely desperate at night regarding the same thing. And I do a lot of other things too: Writing for me is almost as important as drawing my collection.
The study of folklore is largely the study of particular folklore genres: myth, folktale, legend, ballad, proverb, riddle, superstition, etc.
I'm not sure what I am anymore... Sometimes I think I'm nothing but what other people have done to me?a big collection of brainwashing, surgeries, and cures... That, and all the mistakes I've made. All the people I've disappointed.
Just do exactly what it is that makes you want to do what you do. The stuff I listen to in my private collection, it's what moves me, makes me want to play. I want to make other people feel like I feel when I listen to that music. Whether other people like it or criticize it - even if there's only 10 people on the planet that love it, you're touching 10 people that way.
My own bias in folkloristics is decidedly psychoanalytic. I believe that the vast majority of folklore concerns fantasy, and because of that, I am persuaded that techniques of analyzing fantasy are relevant to folklore data.