A Quote by Margaret Kilgallen

Having a background in doing printmaking and letterpress, I think that I became very interested in images that were flat and graphic. And my painting still today is very flat...American craft is like that too - the painting is very flat. And also the painting that you see on the storefronts, handmade signs, tend to be very flat. That's probably my biggest influence.
When I'm painting the picture, I'm really painting a picture. I may have a flat-footed technique, or something like that, but still, to me, the thrill, or the meat of the thing, is the actual painting. I don't get any thrill out of laying it out.
Life was like a batch of biscuits without the baking powder: flat, flat, flat.
There is, even today, a Flat Earth Society that meets every year to say the Earth is flat. The science about climate change is very clear. There really is no room for doubt at this point.
Well, painting today certainly seems very vibrant, very alive, very exiting. Five or six of my contemporaries around New York are doing very vital work, and the direction that painting seems to be taken here - is - away from the easel - into some sort, some kind of wall, wall painting.
My synesthesia is mostly gone - it was a much bigger factor when I was a kid. But having no depth perception is a bonus when you're trying to lay out flat images and describe them to an artist - flat is all I see.
You’re not going to learn anything if you’re not prepared to go flat, so I’m very happy to go flat.
You're not going to learn anything if you're not prepared to go flat, so I'm very happy to go flat.
Very few people have a natural feeling for painting, and so, of course, they naturally think that painting is an expression of the artist's mood. But it rarely is. Very often he may be in greatest despair and be painting his happiest paintings.
The philosophers of the Middle Ages demonstrated both that the Earth did not exist and also that it was flat. Today they are still arguing about whether the world exists, but they no longer dispute about whether it is flat.
I remember Karoi as a very hot, flat place, but in reality, it is all hills. We just lived next to an airstrip - the only flat piece of land around. That was my world as a three-year-old and sums up the indelible power of memory to a young child.
There are moments on songs like "Violet" where it's still shrouded in metaphor, but it's quite, I don't know, explicit. And then there are songs like "Boyfriend," where obviously it's straight up, very, very simple. It's fun to play around with words; I really enjoy doing that, so I don't think I'll ever stop, but it's also been nice to have messages on there that I can say flat out and that people appreciate.
If the earth were flat from east to west, the stars would rise as soon for westerners as for orientals, which is false. Also, if the earth were flat from north to south and vice versa, the stars which were always visible to anyone would continue to be so wherever he went, which is false. But it seems flat to human sight because it is so extensive.
For the painter, the system of painting in flat tints is superior to all others.
The true essence of Chinese culture is sophistication, refinement, the spirit of poetry. The spirit of ink painting and calligraphy lives on forever. Calligraphy is more important than painting. Chinese always consider nature. Man is a very small part of nature. That's why in Chinese painting you see huge mountains and man very small, very humble before nature. You must be harmonious and one with nature. You don't fight it. And then there's a bit of a poetry. Of course, it's very complicated, but also very simple.
I wasn't interested in sport or anything obvious, so I didn't stand out. I was interested in music, but I couldn't read music, so I wasn't allowed to do the GCSE. I was interested in painting, but no one's interested in a 16-year-old boy who's interested in painting. I wanted to get out of school very, very quickly.
What do you see when you look at a representational painting? Most of the time, the first thing I see is a flat piece of canvas covered with colored patterns.
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