A Quote by Margaret Mahy

I had to wait for a long time before I could support myself with writing. However, being a writer is what I have most wanted to be, from the time I was a child. — © Margaret Mahy
I had to wait for a long time before I could support myself with writing. However, being a writer is what I have most wanted to be, from the time I was a child.
I had it in my head when I was in college that I wanted to be a writer, but it took me a long time to commit to being a writer. Up until then, I had worked one dead-end job after another while writing on the side.
Most aspiring child actors or child stars have a passion for it. But as easy as it is for me to say that I wouldn't put my kids in it, if I saw that they really, really wanted to do and they had the drive, then I would fully support it. As long as there's balance at home, then they could do whatever they wanted to do.
I have thought you could not give everything to your books and also to your children, so for a long time, I thought if I had a child or a family, I'd think, 'How would I support them?' because basically I would stop writing.
When I was growing up, I had no idea that I could possibly become a writer. I wrote endlessly in journals - a practice I maintained for a long time, well into the writing life I had no idea I could ever have.
When I was writing Shadow and Bone,' I really had no confidence as a writer. I had never finished a book before and I desperately wanted to finish a book for the first time.
Early in my career as a domme, I both admired and feared becoming one of those career dommes. I saw, in myself, and in some other women in that industry, the way that sex work could eclipse the other parts of your personality, the way that I started to feel as if I wasn't qualified to do anything else. I had always known that I wanted to be a writer, and I stopped writing for a time while I was domming; the experience subsumed my other interests, and it scared me. Now, however, I have nothing but admiration for them.
By the time I wrote my memoir, 'Men We Reaped,' I had been running from writing it for a long time. When the events in the book were happening, I knew I'd probably write about them one day. I didn't want to. I'd studied fiction, and I was committed to establishing myself as a fiction writer first.
The best piece of advice I ever received about being a writer came from my brother Lee. I was just starting out and he told me that if I wanted to have a long career, I had to be versatile, that I shouldn't just think of myself in one way, because there would come a time when maybe that one thing wasn't working out for me - and I'd still want to earn a living as a writer.
I take a lot of pride being a beacon of hope for people who haven't achieved what they wanted to achieve even though they've had to wait a very long time to do it.
Once 'Walk Two Moons' received the Newbery Medal, I decided to write full-time. Partly because there seemed to be an audience out there who wanted to read what I wanted to write, and partly because I could now support myself financially through writing.
When I was a child I used to read books by Gerald Durrell, who founded Jersey Zoo. He had a job collecting animals for zoos and for a long time that is what I wanted to do. Later when I was a teenager I had a fantastic English teacher called Mrs. Stafford. Her enthusiasm made me decide to be a writer.
It took me a long time to figure out how to act, and how to conduct myself in the business so I could get what I felt I needed to support my potential and give them what they wanted.
There was a time before I felt I was a real writer, when I was a yarn spinner and I just wanted to tell story until it was over. But then there came a time where I was like, 'No, I want to understand something through writing this that I might have not understood before. I want people to come away with something to think about.'
It was time to expect more of myself. Yet as I thought about happiness, I kept running up against paradoxes. I wanted to change myself but accept myself. I wanted to take myself less seriously -- and also more seriously. I wanted to use my time well, but I also wanted to wander, to play, to read at whim. I wanted to think about myself so I could forget myself. I was always on the edge of agitation; I wanted to let go of envy and anxiety about the future, yet keep my energy and ambition.
All I wanted to do was write - at the time, poems, and prose, too. I guess my ambition was simply to make money however I could to keep myself going in some modest way, and I didn't need much, I was unmarried at the time, no children.
Everyone who knew me as a child, they say they're not surprised that I became a writer because I wrote all the time. I don't remember writing, because I wouldn't have had the tools, but I think what they are saying is that I would pretend I was a writer.
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