A Quote by Margaret Mitchell
I can't make you understand because you don't know the meaning of fear. You have the heart of a lion and an utter lack of imagination and I envy you both of those qualities. You'll never mind facing realities and you'll never want to escape from them as I do.
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I think I'm an actor because I have very strong imagination and empathy. I never studied acting, but those two qualities are exactly the qualities that make for an activist.
A secret love is beautiful, sweet and sacred when it's just a light infatuation; but when that person reaches over and touches you in the heart, making it alive in a way it has never known, that secret love becomes frightening, because you can never make them love you, you would never want to make them love you...but all the same, no matter which way you view it, they don't love you...and your heart doesn't know how to beat the same.
Envy is the most universal passion. We only pride ourselves on the qualities we possess, or think we possess; but we envy the pretensions we have, and those which we have not, and do not even wish for. We envy the greatest qualities and every trifling advantage. We envy the most ridiculous appearance or affectation of superiority. We envy folly and conceit; nay, we go so far as to envy whatever confers distinction of notoriety, even vice and infamy.
I create other worlds, magical never-never lands where the camera is my weapon and the battles I fight are with the elements. i stretch the laws of the mind and displace people from their realities to capture a side of them they didn’t even know they had. Photography has the ability to freeze people in this time and space—no matter what happens after that moment, it cannot change—they are exactly how i want them to be.
I don't doubt that every prince would like to be both; but since it is hard to accomodate these qualities, if you have to make a choice, to be feared is much safer than to be loved. For it is a good general rule about men, that they are ungrateful, fickle, liars, and deceivers, fearful of danger and greedy for gain....[love] is a link of obligation which men, because they are rotten, will break anything they think doing so serves their advantage; but fear involves dread of punishment, from which they can never escape.
Everyone needs an escape, whether that is through music or humor. My personal escape is through both of those things so I thought why not combine them? But not in a cringe way, I don't want to make parody songs. I just want my music to have a humorous edge to it.
Gypsy dance is never just to be dancing. Instead it seems to be a part of an immense and significant non-verbal vocabulary of Gypsy communication and behavior. It is at the heart of an essential transformation, a transcended state, an escape from the realities of their daily lives to a more satisfying state of mind.
At the end of the day, audiences just want to laugh and be entertained. They want to escape from their reality, and that's why we make movies, to get people to escape from the realities.
My teachings are easy to understand and easy to put into practice. Yet your intellect will never grasp them, and if you try to practice them, you'll fail. My teachings are older than the world. How can you grasp their meaning? If you want to know me, look inside your heart.
Indeed, it is that ambiguity and ambivalence which often is so puzzling in women--the quality of shifting from child to woman, theseeming helplessness one moment and the utter self-reliance the next that baffle us, that seem most difficult to understand. These are the qualities that make her a mystery, the qualities that provoked Freud to complain, "What does a woman want?
When critics or people judge, I think it's harder to make a commercial, pop movie than it is to make a pretentious art film. It's harder to reach millions of people and satisfy them and make them happy. These films kind of get ghettoized, this genre because there are so many big, big movies that are such big hits, but aren't any good. The audiences, they're not judging the style of the director, or the execution of the film. They're just looking to be entertained. They want to escape from their reality, and that's why we make movies, to get people to escape from the realities.
But when it comes to human beings, the only type of cause that matters is final cause, the purpose. What a person had in mind. Once you understand what people really want, you can't hate them anymore. You can fear them, but you can't hate them, because you can always find the same desires in your own heart.
I have never been given to envy - save for the envy I feel toward those people who have the ability to make a marriage work and endure happily.
Today we continue a never ending journey to bridge the meaning of those words with the realities of our time.
Go away,” he said. “Do you know you’ve almost no clothes on?” “Never mind. I need—” “Never mind? Listen to me, Miss Innocence. There are many things a man can ‘never mind.’ A nearly naked woman isn’t one of them.
You see, Dash -- I was never the girl in your head. And you were never the boy in my head. I think we both knew that. It's only when we try to make the girl or boy in our head real that the true trouble comes. I did that with Carlos, and it was a bad failure. Be careful what you're doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head.
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