A Quote by Margaret Mitchell
Sometimes Frank sighed, thinking he had caught a tropic bird, all flame and jewel color, when a wren would have served him just as well. In fact, much better.
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It wasn't until Hope fluttered over and landed at Alex's feet, peering questioningly up at him, that he finally tore his hands away from his eyes.Oh, my God, he said, sounding disgusted. Why is there a bird looking at me?That's Miss Oliviera's bird, Henry volunteered cheerfully. The captain gave it to her as a present.Kayla punched me in the arm. John's got his captain's license? she whispered. You are so lucky. Frank says he just loads cargo.I glanced at Frank. I wondered if Kayla would like him as much if she knew the cargo he loaded was human souls.
The difficulty with color is to go beyond the fact that it's color ? to have it be not just a colorful picture but really be a picture about something. It's difficult. So often color gets caught up in color, and it becomes merly decorative. Some photographers use it brilliantly to make visual statements combining color and content; otherwise it is empty.
Augustus Waters," I said, looking up at him, thinking that you cannot kiss anyone in the Anne Frank House, and then thinking that Anne Frank, after all, kissed someone in the Anne Frank House, and that she would probably like nothing more than for her home to have become a place where the young and irreparably broken sink into love.
Had my first son this morning... well, actually, my wife had him. I just caught him. Wo. Heart expanding way faster than my brain...
It's hard in America as a writer of color, an actor of color, not to get caught up in race and culture. But you're also supposed to be able to write characters and scenes in a way where it's just a matter of fact, a component.
I had the idea that the film would be much better served by a Branch Rickey lookalike than a Harrison Ford lookalike. I didn't want the audience to go into the film thinking that they knew me from some previous experience in a movie.
Sometimes, a flame can be utterly extinguished. Sometimes, a flame can shrink and waver, but sometimes a flame refuses to go out. It flares up from the faintest ember to illuminate the darkness, to burn in spite of overwhelming odds.
Somebody under 30, if the name Frank Zappa came up, they would just say, "Who?" To me that didn't sit well, because I felt my dad's accomplishments in music should be better known, not just in a popular way, but better understood.
I live a much better life without having to worry about people chasing me. I spent five years in prison from 21 to 26, which is probably the best part of my youth behind bars. I was in some very bad prisons overseas as well. It was not a fun life, it was a very lonely life in reality. I was a smart enough kid to know that I was going to get caught. The law sometimes sleeps, but the law never dies. I knew it was just a matter of time. I would be caught and I'd get punished and face the consequences.
Now and again he spoke to those that served him and thanked them in their own language. They smiled at him and said laughing: 'Here is a jewel among hobbits!
In fact, I heard Bird first, and had got well into listening to him. You know, it's the kind of accidental thing that awareness of a player is: what's available, what somebody happens to play for you.
Well, if you weren't flirting with him"-his voice had now grown a little plaintive-"who was he, and what did you want with him anyway?" "If you are so determined to bore me, I may just have to go home." Astrid sighed carelessly, "What a shame, when I am wearing such a pretty dress.
I really like the interplay between thinking of text as ephemeral and thinking of it as a concrete, physical thing. With almost anything that I write, I'll stay completely immersed in the electronic text of it for a period of time and in another period, I'll stay immersed in it as a physical thing that can cut your skin. So with the apocalypses, I had them taped all over the wall and they had codes on them. Sometimes I would color code them in terms of thematic elements, sometimes in terms of voice, sometimes visual forms or images.
People talk about Frank Sinatra all the time - and they should talk about Frank - but he had the greatest arrangers. They worked for him in a different kind of way than they worked for other people. They gave him arrangements that are just sublime on every level. And he, of course, could match that because he had this ability to get inside of the song in a sort of a conversational way. Frank sang to you, not at you, like so many pop singers today. Even singers of standards.
So often, we blame other people when, really, the problem is right down in here. I'm not happy. I don't know what's wrong. If I just had another job, I could be happy. If I just get married, I would be happy. Well if I just wasn't married, I would be happy. Well, if I just had some kids, I'll be happy. I'll be happy when these kids finally grow up and get out of here. If I had a bigger house, I would be happy. Well, I got a big house. Now if I just had a maid to clean, I'd be happy. Well, now if I just had a maid I could get along with better, I'd be happy.
At least he's alive and well. I love him enough that I want that. I want him to have what's best for him." She sighed. "I just don't want to stick around to watch.
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