A Quote by Margaret Oliphant

It has been my fate in a long life of production to be credited chiefly with the equivocal virtue of industry, a quality so excellent in morals, so little satisfactory in art.
Industry in art is a necessity - not a virtue - and any evidence of the same, in the production, is a blemish, not a quality; a proof, not of achievement, but of absolutely insufficient work, for work alone will efface the footsteps of work.
One of the reasons, surely, why women have been credited with less perfect veracity than men is that the burden of conventional falsehood falls chiefly on them.
Virtue and vice suppose the freedom to choose between good and evil; but what can be the morals of a woman who is not even in possession of herself, who has nothing of her own, and who all her life has been trained to extricate herself from the arbitrary by ruse, from constraint by using her charms?... As long as she is subject to man's yoke or to prejudice, as long as she receives no professional education, as long as she is deprived of her civil rights, there can be no moral law for her!
Television's contribution to family life has been an equivocal one. For while it has, indeed, kept the members of the family from dispersing, it has not served to bring them together. By its domination of the time families spend together, it destroys the special quality that distinguishes one family from another, a quality that depends to a great extent on what a family does, what special rituals, games, recurrent jokes, familiar songs, and shared activities it accumulates.
Fate" Eve said with a sigh "I'm not sure fate had to burn up your car to get the point across," Shane said, buckling his own seatbelt. "No, not that. The hearse. I'm going to name it Fate." Shane stared at Eve for a long, long few seconds, then slowly shook his head. "Have you considered medication, or-" She flipped him off. "Ah. Back to normal. Excellent.
Whether we immoralists do any harm to virtue?-Just as little as anarchists do to princes. It is only because they have been shot at that they once again sit securely on their thrones. Moral: we must shoot at morals.
Of the four project development variables - scope, cost, time and quality - quality isn't really a free variable. The only possible values are "excellent" and "insanely excellent", depending on whether lives are at stake.
There is no substitute for virtue. Keep your thoughts virtuous. Rise above the filth that's all around you in this world and stand tall in strength and virtue. You can do this and you will be happier for it for as long as you live. God bless you in cherishing, developing and holding on to this great gift, the quality of personal virtue.
If then, as we say, good craftsmen look to the mean as they work, and if virtue, like nature, is more accurate and better than any form of art, it will follow that virtue has the quality of hitting the mean. I refer to moral virtue [not intellectual], for this is concerned with emotions and actions, in which one can have excess or deficiency or a due mean.
At the end of the day, the quality of life is all we have, and it's just as important to that lobster, the quality of life that it lives - even if it's not as long - as the quality of your life.
Of what use is a long life, if we amend so little? Alas, a long life often adds to our sins rather than to our virtue!
The Song is a gritty, realistic, and powerful film. The acting and production quality are excellent, and the story is captivating. Although not for children, the story is a good reminder to adults of what really matters!
Such discussions help us very little to enjoy what has been well done in art or poetry, to discriminate between what is more and what is less excellent in them, or to use words like beauty, excellence, art, poetry, with a more precise meaning than they would otherwise have.
There might have been a hundred or a thousand life-bearing planets, had the course of evolution of the universe been a little different, or there might have been none at all. They would probably add, that, as life and man have been produced, that shows that their production was possible; and therefore, if not now then at some other time, if not here then in some other planet of some other sun, we should be sure to have come into existence; or if not precisely the same as we are, then something a little better or a little worse.
Thus grows up fashion, an equivocal semblance, the most puissant, the most fantastic and frivolous, the most feared and followed, and which morals and violence assault in vain.
If you would ask me what my ideal process is, I would say, long pre-production, long production and long post-production.
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