A Quote by Margaret Stohl

Everything I write is about big feelings. What I care about is trying to be brave enough to feel how you feel and to be emotionally true. — © Margaret Stohl
Everything I write is about big feelings. What I care about is trying to be brave enough to feel how you feel and to be emotionally true.
Music is infinite and personal. I don't want to put myself in a box. I want to try everything and I'm trying everything. I'm really trying to write what's in my heart and what I feel without a lot of help in that department. It's about being brave.
When you're a big sister, it's a great job. I don't know how little sisters feel about their job, but when you're a big sister, you're supposed to take care of everything. And you feel good about it. I do.
You would not hang out with people that talk to you the way you talk to yourself. So get out of your head! Your feelings! Your feelings are screwing you! I don't care how you feel! I care about what you want! And if you listen to how you feel, when it comes to what you want - you will not get it. Because you will never feel like it.
To me, it's never about the trick. I don't care about how something works. I care about how people feel when they watch it. You know, that - that connection - that emotional connection is true magic.
When we put the pen to paper, we articulate things in our life that we may have felt vague about. Before you write about something, somebody says, 'How do you feel?' and you say, 'Oh, I feel okay.' Then you write about it, and you discover you don't feel okay.
The most important thing is to be true to yourself, however you feel, and not try to feel or behave differently because you think you should, or someone has told you how you must feel. But do think about it. Unexamined feelings lead to all kinds of trouble.
Here's the thing: When you become brilliant at listening, people feel that you care about them. When they feel you care about them, they begin to care about you. And when people care about you, your success becomes a part of how they define their success.
I try to be aware of what I'm concerned about, aware of how I feel about myself in the world, aware of how I feel about the issues of the day, but I guess I don't want to write essays in my head about my craft and maybe it's because I teach and talk about craft of other writers as a reader. I feel the moment I start doing that is when it's going to kill me.
I really hope that there are more young men coming to terms with the fact that they feel things and it's OK to feel things and to talk about how they feel about things. That's not weak. It's brave and strong and good.
There's always mixed feelings about the work that I do. When you're playing a real person, that's another kind of responsibility. I have to say that every time that I have played a real person, even though I gave it everything I could, I feel like I misinterpreted trying to represent them. All the time I feel like I screwed it up! But I don't know if that's because I can't separate myself from it enough.
I just like to explore honest thoughts or feelings. How I'm feeling at the time. I want to explore it and talk about it and have a conversation with the audience. I want to throw something out there, see how they feel about it, and tell them how I feel about it. I know that's really relaxed, but that's the most fun.
I run four times a week. And I don't count miles - I don't do that. I don't care about that. I care about how I feel, and I run according to how I feel.
The only reason we don't open our hearts and minds to other people is that they trigger confusion in us that we don't feel brave enough or sane enough to deal with. To the degree that we look clearly and compassionately at ourselves, we feel confident and fearless about looking into someone else's eyes.
The songs I write are about how I feel and the vibe I'm in. So whether I'm on a tour or at home it's like all about how you feel in the certain time you sit down.
I don't comment on everything; I don't comment on things I don't know enough about. I feel people should talk about something only if they feel strongly about them.
When people say stuff to us casually in reviews, if they write about it in a condescending way with really gendered language, that's not really about me. It used to hurt my feelings more than it does now. That's not about us as a band or me as a person. That's about how you feel about women, and that's a societal thing.
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