A Quote by Margaret Stohl

It doesn't matter if it's aliens or emotional weapons or whatever - it's still a real story about big feelings that have to come out. — © Margaret Stohl
It doesn't matter if it's aliens or emotional weapons or whatever - it's still a real story about big feelings that have to come out.
An emotional story is an emotional story no matter how big or small it is.
To my mathematical brain, the numbers alone make thinking about aliens perfectly rational. The real challenge is to work out what aliens might actually be like.
If you just concentrate on what you're doing and allow yourself to actually enjoy and let your feelings come out, whatever the tempos, whatever the rhythms, whatever the songs, 9 out of 10 times it will work.
If I write a fantastic story, I'm not writing something willful. On the contrary, I am writing something that stands for my feelings, or for my thoughts. So that, in a sense, a fantastic story is as real and perhaps more real than a mere circumstantial story. Because after all, circumstances come and go, and symbols remain.
So, what exactly is the News-Press' unforgivable crime? Calling illegal aliens 'illegals' in a headline for a story about illegal aliens descending on California DMVs. A new law went into effect last Friday allowing illegal aliens to obtain driver's licenses without proof of lawful residence. The article featured interviews with ecstatic illegal aliens, including one who has been in the country illegally for '22 years.'
My favorite kinds of stories are the ones that have these big crazy genre hijinks and then a real honest, meaty, emotional story where we're watching a character grapple with some real things.
Money is part of how we move through the world, what stores and restaurants we go into, whether we take a train to the airport or a taxi. Describing characters living in the real world requires describing them engaging with money. There are also so many emotional aspects to money - feelings of inadequacy, feelings of security. I am not sure if there needs to be more about money in fiction, but the absence of this aspect can make a story feel somehow frictionless and unreal.
It's like fiction - the fact that somebody's telling you a story about people who didn't exist doesn't make the experience of the story any less real in your heart and mind. You go through heavy emotional responses to these stories, and wrestling is a similar thing - but it's happening in real space.
I read a lot of ghost stories because I was writing a ghost story. I didn't think at all I was writing a horror or a thriller or whatever because it is about a ghost, whereas a horror film can be about aliens or things that rise out of the marsh that have no human shape.
Thank God sci-fi has moved away from spaceships fighting aliens! Now it's a place where you can explore contemporary issues or emotional feelings. You can put it all in a different setting.
My story, I feel like it's amazing, because it shows people no matter where you come from, no matter what your lifestyle is, your dreams could still come true if you believe in yourself and push hard to do what you want to do.
From the beginning [of the film The Darkest Hour], [aliens] it's a metaphor for the foreigners and from the beginning of the movie, American boys feel themselves like aliens here or they feel like Russians are aliens. There's misunderstanding or miscommunication. Then when the real aliens appear, together they have to fight to survive.
I feel like I've kinda danced around telling the truest story I can for many years of my life. I've been a little distracted by trying to be shocking or edgy or cool or whatever, and by letting go of that and telling the truest story I can - even if it's about aliens and talking raccoons - it works.
I find it really offensive when people say that the emotional experiences of teenagers are less real or less important than those of adults. I am an adult, and I used to be a teenager, and so I can tell you with some authority that my feelings then were as real as my feelings are now.
In old interviews I was still worried about being judged. I think my life was about how can I keep myself in control. How can I just get through this and be okay? And, you know, you turn the corner. You realize that you're not imprisoned by your life or your circumstances or your genetics or anything. I really believe that we all have the ability to come out of our story. But you have to tell your story first in order to come out of it.
It's impossible to live a life totally free of feelings. God created all of us to be emotional creatures, and feelings are a big part of our lives.
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